Monday, July 13, 2009

Legalize it? Really? You're kidding.

Greetings to the world at large, once again I come before you with a worthless rant that will get you a cup of coffee at Starbucks some time after Stephen Hawking discovers the light switch inside a black hole.

Allow me to preface this rant by saying I am not a drug user. I quit smoking cigarettes six years ago and I only smoked weed twice back in my college days. Didn't enjoy it. I don't honestly get what the big deal is. I don't own a bong. I don't know how to make a bong out of anything. Although I've witnessed other people do that and that is awesome. Marijuana users are very resourceful. If you sit still long enough around them they might turn you into a bong. It's kinda creepy now that I think about it. Ah, the parties of my youth. Good times.

It is not because I believe there's something wrong with drugs. I don't. It's because one, they are slightly illegal at the moment. Two, I can't afford them. And three, my brain's pretty fucked up already without any help from foreign chemicals invading my bloodstream. However, I consider drug usage as a form of body manipulation. It's not against the law for an informed adult to get a piercing or a tattoo, so it shouldn't be against the law to send your consciousness to Mars and back for the day, so long as you pay the fare your own self.

That is of course where my idealism breaks down. I mean if I got a tattoo with my ex-wife's name, and I wanna get married again, and my fiance wants me to get rid of the tattoo, I don't go to the government and ask them to pay for it. However, if I am addicted to drugs and I can't afford to take care of it myself, I have read there are currently processes in place that'd help me rehabilitate and those processes are sometimes paid for by the government.

Now let's avoid the argument of lumping all drugs together. I'm going to dismiss cocaine and heroin and acid outright, or at the very least reserve them for another rant that may never come. I'm sure others find them therapeutic. I might agree with straight LSD under very controlled conditions but acid? Laced with strychnine? Let's just skip that. That stuff ain't gonna become illegal.

However, marijuana becoming legal, while President Obama laughs at the notion openly, is not completely out of the question, which is why I'm ranting.. or rambling. California is under financial duress. Heck, all of America is. California has been wrestling for decades with the issue of marijuana. A lot of people there want weed to be legal, and a lot of people there don't. However, like in most of America, if you really want cannabis, there's a way to get it. The law only keeps people like me from partaking, and I'm very much in the minority. In California it's easier, because although federal law is the same across the country, in the state of California they've invented a loophole - marijuana for medicinal purposes is acceptable. So all you gotta do is find the right doctor.

We like to believe we live in a free society but the fact of the matter is our freedoms are bought and paid for every day by corporate monolithic monsters that I like to believe the book of Revelations refers to as The Beast. Not because I necessarily believe in the modern day evangelical interpretation of the New Testament, but because I find it amusingly poetic. The corporate beast owns our souls, and the corporate beast wants us to coexist together in a lulled state of illusion where we think we are free to do anything but we are really only free to do anything that will allow us to still show up at work on time and operate heavy machinery when needed. So, why is alcohol still legal? Well, have you ever had a vodka martini at three in the afternoon? Corporate beasts really like to drink their vodka martinis at three in the afternoon.

When push comes to shove you can sober up if necessary. Not to operate a forklift maybe, but a breath mint and a glass of water and you're right as rain. However, if you've been getting high? That's a slightly different story. You might think you're fooling us straight and narrow types? But your eyes are bloodshot, you just laughed at the fern in the corner, and you smell like a Cheech and Chong Marathon.

People are thinking we need to legalize marijuana. My gut instinct is to agree. Legalize it. Let the government, in conjunction with the corporate beasties out there, regulate it. Tax the shit out of it. Our current economic recession/depression would be solved overnight, on a federal level at least.

However, let's imagine for a moment that you're a drug seller. You don't have to admit it. This is just hypothetical. A friend of mine explained this to me and I found it an interesting psychological conundrum. You've been selling for years. You don't sell to get rich. You know a guy who knows a guy and you make it available to your friends at a reasonable price. Maybe you don't even make any profit but if you're smart you make a tidy one. You believe drugs should be freely available but they shouldn't be free, and why not make enough money on the side to maybe cover your cable bill? What would happen if suddenly all your friends who come to you for marijuana were suddenly able to go down to the local convenience store? Maybe the price at Seven Eleven is more than it was with you, but there it's legal. There it even comes prepackaged and in a cute little box that a thousand marketing dudes figured out was going to please the buyers more than the cellophane bags you've been using. And though marijuana might become legal, it still won't be legal for you to sell it. The corporate beast will see to that. Why would they want your competition, when they already own the infrastructure to sell products to people, and they already control the government that makes the rules determining who can sell how to whom?

You will not be able to compete with the corporate beast if it gets its hands on your business. Suddenly you won't be able to pay your cable bill. Will this happen overnight? Depends on how soon the corprate beast realizes it's been letting you make money that it could have been making all this time.

This could be the worst thing that's ever happened to the people who have been selling all this time. It won't be illegal to sell marijuana, so major companies will partake. It won't be illegal anymore to carry marijuana, so buyers will no longer need a black market to help them keep the transaction quiet. And will this be grandfathered? Would all the people currently in jail because they broke the laws on the books at the time be allowed free? Won't they be pissed? They get out and see their livlihoods of selling drugs are in the hands of Krogers and Walmart. If you ask for a job from these corporate beasts, you won't be able to put "have illegally sold weed for years" on your resume. For the people who have been doing this illegally all this time, the idea of legalizing it is the worst thing that could possibly happen to them. You'd probably be better off being arrested and thrown in jail. At least then you get free room and board.

You still want to legalize it? Really? You're kidding.

Prismism

What follows is actually the "copy" I wrote for myself prior to recording a YouTube video in response to this video that John of VlogBrothers made for his brother Hank. What he said got me thinkin' and I also wanted to make a video that would bury my stupid Michael Jackson enough is enough video. I wrote my copy and posted it here because I wanted to make the video without my glasses on. So I increased the font in my web browser so I could read the copy without glasses. Admittedly, in hindsight it really didn't matter cuz both John and Hank wear their glasses but somehow they're able to avoid glare. My glasses seem to reflect the computer screen when I make a video wearing them. Anyway. I digress. I'm uploading the video response I made as I type this otherwise I'd leave a direct link. I don't know what it is yet but will add it seruptitiously after I'm done typing this probably. If I forget to do that, you can go to www.youtube.com/zachsmind and look for the video I left on this date.

Don't forget to be awesome. Without further adoo-doo, here's what I wrote.

Hi John Hi Hank and hi Nerdfighters it's Monday July 13th 2009 and it's very late. Or early. Depending on how you look at it. Why am I still up watching YouTube videos? I dunno. I dunno if I'm a nerdfighter. I guess I'm at least a nerdfighter watcher. We all have to start somewhere.

In response to John's video On Iran, Islam, and Amazingly Stupid Comments, I was like ..Wow. That was cool, man. I don't agree with every syllable but I hear ya when you say you feel more akin to some liberal muslims than you do conservative Christians. I look at American Christians today and I don't recognize the religion of my childhood. Everything from Chuck Norris to Sarah Palin's got me seriously reconsidering my theological choices.

Until very recently I used to consider myself a Christian. I think I still am. Asked Jesus Christ into my heart at the age of eight. Sounded like a good idea at the time. The Sunday school teacher's pitch was hard to deny. Eternal salvation and a piece of candy. I was sold.

I've had a few decades of studying history and observing current events. Watching history unfold before me, and I've come to the conclusion that whenever there's violence between men, someone's religion often seems to be a factor. Maybe it's not THE direct factor, but like rooting for sports teams, both sides always think their one and only true god is on their side. And if a god takes sides, how does anyone know?

Christianity. Judaism. Islam. Hinduism. Buddism. Zorastrian Whatchamacallit. Paganism. Deism. Atheism. I got a new ism. Prismism. Every human being's a prism. We think we're seeing the light for what it is, but we all got filters and the light of reality goes in us and through us and out it comes and you get spaghetti. or a Picaso painting. Or a man who thinks god wants him to kill. That it's okay to kill cuz god says so.

I'm reminded of the words of Groucho Marx who once said he didn't want to join any club that would accept the likes of him as a member. I think any god that would accept mankind at face value, considering what we do to one another in God's name? I gotta question that.

But that's me. That's not you. If anything's consistent among Mankind it's that each person has their own religion. They each think they share religion but when one finds oneself on the outside looking in, after being part of the illusion that there's one true god? Wow. Mankind to the concept of Diety is like three blind men holding different parts of an elephant and none of them guessing right as to what it really is.

Religion is like a gun. It doesn't do bad or good by itself, but men have done bad or good things with it. I personally don't like having a gun in my presence, cuz a gun in my presence increases the chances I might get shot, as opposed to the odds of getting shot by a gun if a gun is not within gunshot of my face. I'm beginning to have a similar opinion about religion, but that's just me. Others can carry around guns and religions all they like. Just don't point them my way.

Oh, and in the argument regarding pirates and ninjas?

Arrrrr matey!

Saturday, July 11, 2009

Lost Time Sickness

Yes I'm painfully aware that much of what I'm now spouting here in my blog about the ABC TV series Lost may become out of date - in fact completely and totally wrong come January when Season Six kicks in. However, after watching the last five seasons I think I'm piecing together what we've been shown, and I've come to a number of conclusions. Chiefly among them? Danielle Rousseau might have been right. There is a sickness among people on the Island. However, not quite the way she had anticipated.

Why did she think there was a sickness? Well, she tells Sayid (and by proxy us) in season one episode nine "Solitary." Then, we get to actually see the events happen before Jin in season five episode five "This Place Is Death." What happened? Well, Danielle Rousseau is separated from the rest of her research team members. They go into the catacombs underneath the island that lead to the temple. When they come out, they all immediately try to kill her. She responds in self defense and kills them before they can kill her. We see no indications any of them hate her prior to their disappearance into the catacombs. In fact one of them was her betrothed. These events drive her crazy. She's left alone on the Island.

Ben later comes along and literally steals Danielle's baby Alex from her crib. We see this in the fifth season twelfth episode titled Dead Is Dead. He had been ordered to kill the baby by Charles Widmore. Ben opted instead to take the child and raise her as his own, with a warning to Danielle never to seek her daughter under penalty of death. Not the best of compromises, and this not only secures animosity between Ben and Charles but more importantly for our purposes here, it further drives Danielle into insanity. However, her brand of insanity doesn't match the insanity her copatriots from the research vessel exhibited. They tried to kill her. No warning. No explanation. They just turned on her and she fought back out of instinct more than anything else. Now, why would they do this if they weren't sick? Why would they try to kill her if they weren't crazy? We're not told what happened to her research team to turn them on her.

Again, we're not privy to what happened to her team during their disappearance, but we can speculate. What if somehow they were given a glimpse into their futures, and were made to understand in simple terms that they were fated to die at the hands of Danielle Rousseau? They'd be exposed to the events of their fate and made to believe them real. From their perspective this would be ludicrous, and yet it's true. They would be unable to deny what they were shown. With this knowledge they would return to the surface with every intention of taking out Danielle before she could take them out. So they go up with some quickly formulated plan. This plan fails and she kills them. What is not made known to them at the time they are told about their fate is the fact that what they were shown would be the events that would play out after they were told she'd kill them. Essentially, their change of behavior towards her caused her to become defensive and fight back, which led to their deaths. It would be a case of self-fulfilling prophecy.

They chose to try to change their fate, but the very fact they make that choice seals their fate.

Similarly, the events that lead Sayid to Ajira flight 316 are myriad and too complicated for me to explain here, but ultimately when he is faced with young Benjamin Linus in the late 1970s, and he is given an opportunity to murder the man who would be responsible for so much pain and suffering in Sayid's more recent past (and young Ben's future), he makes the choice to murder young Ben in cold blood. Indeed, he's been working towards this his entire life. The events of his life had molded and shaped him into being a cold blooded murderer. It is a choice that he makes, but the choice is essentially the only logical choice given his state of being at the time. In fact, the audience would have difficulty NOT understanding why he did it, whether an audience member can condone the action or not. It certainly makes sense, like killing Hitler when he was but a janitor.

However, many argue that it is Sayid's act of vengeance to a young Ben that turns Ben evil. Failing to convince Jack to save him, Sawyer and Kate take young Ben to Richard Alpert, who does the one thing he knows to do in order to save young Ben's life: he takes him down into the catacombs that lead to the temple. Richard cautions Kate and Sawyer that Ben will be forever changed from then on. He will irrevocably become one of Richard's people. Years later we know from the episode Man Behind The Curtain (s3e20) that Ben works with the "Hostiles" or "Others" to purge the island of the DHARMA Initiative. He even kills his own father. Sounds very much like the behavior of Danielle's friends after their return from the catacombs under the island that lead to the temple. However, Ben's plans were more complicated and took years to complete.

Ben's also given multiple indications that he can predict the future. At least up to a point. In season five there's a moment where he admits that for the first time in a long time he honestly doesn't know what's going to happen next. Now, whether we can believe him or not is difficult to determine, since we've witnessed Ben lie about every other sentence. However, his behavior since his return to the Island has been that of an outsider. If he does know more than he's letting on, he's uncharacteristically good at hiding it. He's manipulative, and good at lying, but before now his actions would often betray his lies.

In season five he no longer knows the future. So whatever happened to him in the temple as a child seems to have only affected him up to a point. We've also witnessed him glean information from extensive files made for him by Patchy and others about most if not all the inhabitants of the Island. In the episode Confirmed Dead (S4E2) Ben is able to recite information about Charlotte Lewis having never met her before as if he were reading her obituary stamped on her own forehead. He must have read her bio long before and committed it to memory. If he could do similar feats with all the inhabitants of the Island, it would explain how he's been so skillful at manipulating everyone: he knows their weaknesses.

This would also mean he knew about Locke's missing a kidney. So if he actually had wanted to kill Locke, why would he aim almost point blank at the one place where it would do the least damage? Perhaps because he didn't want to kill him, but he did want someone to believe he was trying. Could Ben even be manipulating Jacob and his nemesis? Just who isn't Ben trying to trick?

But again I digress. The sickness. What is it? What causes it? Well, to understand that, we have to understand time. And time is difficult to understand. It's like trying to explain to a square what it's like to be a cube. Having never been three dimensional, the square would not have any frame of reference from which to understand. If a sentient cube were to appear before a sentient square, and try to explain that life is more than just two dimensions, the square would no doubt be changed forever, and perhaps not for the better. A square in a cubical world would be a fish out of water, unable to interact properly with its surroundings, yet unable to deny that its perspective of reality had been changed forever. This is known as The Flatland Phenomenon and Carl Sagan makes an interesting and successful attempt at explaining it in that link.

Now imagine if you will that you're in that square's predicament, but you are not a square. You are a cube. You are a sentient three dimensional, temporally linear being, and you are touched by a sentient being who is four dimensional. You are exposed briefly to the reality that there are more than three dimensions. Like the square facing a cube, your life is changed forever. You may not be able to comprehend the full implications of what this means. For a brief instant, you witness your own existence from birth to death outside of a linear framework. You witness for an instant your entire life and how your life interacts with that of others also trapped in a linear three dimensional existence. Then you come back to your three dimensional senses, like a completed cake being forced back into the cake mix box.

I believe this is the sickness. I believe that many - if not all of the major characters on the television series Lost are three dimensional beings who in various ways have been exposed to a fourth dimensional existence. This has affected some characters indirectly, and others are more directly affected. I can start with the easiest among them first. Charlotte Lewis was getting nosebleeds and brain hemmoraging from the time hops that she and the others were going through. However it seemed to have affected her worse than the others. She was more susceptible. Some theorized that was because she was already on the Island as a child but Miles was too and he didn't die from temporal exposure. As I said, it affects different people in different ways, and in Charlotte's case: This Place Is Death (s5e5).

The nosebleeds also affected Miles, Juliet, Faraday, Jin, and Sawyer. Each to lessening degrees of severity. I am speculating that time hops are dangerous for three dimensional linear beings. Not only are they traveling through time but also space. The Island itself is moving, as is the Earth itself which constantly rotates and revolves around the sun, which moves relative to the rest of the galaxy, which is constantly expanding. The time hops that were happening to these characters in season five are not occurrences that third dimensional beings were even remotely designed (or evolved depending on your beliefs) to experience.

However, because these characters were exposed to time travel in their adult lives, it's very possible that such exposure could have affected their entire existence as linear three dimensional beings. This could explain for example how Miles is able to glean information from dead bodies. He's able to tap into their fates, similarly to how the smoke monster makes one able to witness events of their life to characters like Ben, Eko, or Locke. Miles has a similar capability inherent inside him. He's not able to witness the entirety of time, but he can get occasional glimpses under specific circumstances, probably because of his exposure at any point in his life to temporal anomalies. Though his life is linear, temporal anomalies can affect a three dimensional linear being at any and all points across its past present and future.

Another example of this "side effect" behavior in response to temporally anomalous stimuli can be seen in Hugo Reyes aka Hurley. Throughout his life he appears to have been exceptionally lucky. He survived an accident that killed twenty-three people around him. He blamed himself for the event because of his weight, but it's equally possible that what happened to him was an act of distorted probability. Because Hurley has had exposure to a temporal anomaly at some point in his future, any possibility along his linear existence that might have killed him cannot successfully kill him now, because he is meant to exist perpetually on his linear axis for the duration that the temporal anomaly dictates. So if a knife is nonchalantly thrown in his direction, in that moment he will just happen to have a canteen in his hand that will catch the knife and protect him. He can't die until the temporal anomaly allows him to. However, this probability distortion around him may adversely affect others who are not so temporally charged. So whenever he pushes his luck, it can cause bad things to happen to those closest to him.

We've seen that Hurley is uncharacteristically lucky when it comes to games and sports. He beat Sawyer at table tennis. He never missed a shot when playing basketball with Jack. However, he lost to Walt repeatedly when playing backgammon. This might be because Walt is even more temporally charged and probability ridden than Hurley. Walt is also strangely enough able to confuse birds into flying towards him, usually when he's upset. I can't see how this would be a temporal distortion. It sounds more like gravometric or electromagnetic. Walt may cause birds to think he is whatever direction they were flying if they get to close to him, like a compass going wonky. They might mistake him for true north.

We witnessed Michael Dawson repeatedly try to kill himself after leaving the Island, but he was unable. This is because he was destined to return to the Island. Or at least that's what Tom told him in the episode Meet Kevin Johnson (s4e08). We see him try but he fails. A gun misfires. A car crash leaves him relatively unscathed. Like Hurley, he seems to aquire a probability field around him that protects him from harm. This could be because he was destined to be on that frieghter when it blew. It could also be because his destiny isn't over yet.

Desmond was in the Hatch in the episode Live Together Die Alone (s2e23) when Locke stopped him from pushing the button. Desmond responds by activating a fail-safe key which is meant to save the world if the recitation of the numbers and the pushing of the execute button were ever to fail. After Desmond triggered the fail-safe, the sky around the island lit up purple, the hatch imploded, and Charlie, Eko, and Locke managed to escape relatively unscathed. I think Charlie's ears were bleeding and he was temporarily deafened by the blast. Desmond kinda disappeared.

In Further Instructions (s3e03) Hurley encounters Desmond in the jungle, completely naked and a little disoriented. It's only a day later, but Desmond begins behaving in ways that indicate he has aquired the ability to see glimpses of the future. Sometimes he senses these future glimpses as if they were recent memory. Sometimes they come to him in dreams. Sometimes they appear as flashes of inspiration and knowledge: images and sounds that are brief and out of order and difficult for him to interpret. It's as if he was recently exposed to the entirety of his future, but can only now see bits and pieces, because that's all his three-dee mind can comprehend.

Eventually these visions seem to settle on the fate of one person: Charlie Pace. Desmond is able to predict his death, so he acts to thwart it. However, this only seems to give Charlie a temporary reprieve, as another flash tells Desmond again how Charlie's going to die. Through this ability, Desmond is able to help Charlie die a heroic death of choice, that potentially saves everyone on the Island, or at the very least gives them a fighting chance.

Locke & Eko were both exposed to the smoke monster, as was Juliet. The smoke monster appears to show its intended victim something akin to their life flashing before their eyes. It studies the life this individual has led and then it seems to pass judgment. That may not be what actually is happening, but it seems to either let one live with a set of instructions, or just kills them outright as it did with Eko when he refused to comply. We know Locke was exposed to it but we're not quite clear on what was said. We know Juliet was exposed to it briefly, but she was able to use the sonic fence to ward it off. Ben encountered the smoke monster in season five, but that did not seem to be his first experience with it. In fact Ben had reason to believe he could summon the thing. He successfully used it to kill Keamy's men in season four (Shape of Things To Come s4e09), but was unable to use it in season 5 episode 12 (Dead is Dead). How the smoke monster works is still largely a mystery, but I have reason to believe that it too is a remnant or byproduct of temporal physics.

Damon Lindelof and Carlton Cuse have freely admitted that the time travel stories are over. Season five was riddled with time hops and yet they say there will be no more. It was necessary for the plot but that it's over. However, they did not say that temporal physics in general would no longer play a part in the events of season six. I speculate that we'll learn in season six that most if not all of the major players in Lost are lost predominantly because Jacob, Blackie, and perhaps others are agents of a fourth dimension who use three dimensional linear entities as their toys. Just as we use squares and cubes to build the world around us, so too do these fourth dimensional entities use tesseracts to accomplish tasks and achieve goals. We may never fully understand what they want beyond Blackie's desire to kill Jacob, but our major characters in the Lost mythology are experiencing the side effects of being touched or 'tainted' by fourth dimensional nonlinear beings. I believe when touched by Jacob or Blackie or other fourth dimensional nonlinear beings, the entire linear timeline of a third dimensional linear being is adversely affected, causing a myriad number of strange symptoms. Since a third dimensional linear being is not supposed to know its future or comprehend that of others, being so affected by a fourth dimensional being is like a sickness. It may happen in a character's future, or it may have happened in their past, but once done, it adversely affects the probability and awareness of the individual, to the point where it could bring about insanity, alterations in personality, strange occurrences of probability variation or brief insights of future events or past clarity.

Our Losties are sick. Temporally sick. Their linear lifelines have been diseased. This could cause friends to turn on one another as enemies, or complete strangers to suddenly know one another as if they were friends. It can turn brother against brother and make strange bedfellows. Each from their limited perception, they will believe they are behaving completely rationally and coherently, but those around them will appear to have gone insane and even bloodthirsty, causing them to respond in kind. If I'm right, the final season will set the stage for a final battle where people we've seen very close may come to blows, and people once believed to be enemies will band together out of desperation for survival.

It's gonna be fun. It's gonna be exciting. However, Danielle Rousseau was right. It's also gonna be sick.

Wednesday, July 8, 2009

Dollhouse By Any Other Name

Recently over at Whedonesque, it was reported that Joss Whedon himself will be writing and directing the first episode of the second season of his provacative and controversial television series "Dollhouse" starring Eliza Dushku and a whole bunch of beautiful talented people. Simon encouraged people to come up with possible episode titles for the first episode in the second season. I was going to answer that question over there, but I tend to ramble. What follows is what I was originally going to leave there at Whedonesque. Instead, I opted to just leave a one word response, then move the rest over here.

Joss Whedon's done pretty well so far with title names. Ghost, Man On The Street, and Epitaph One are titles borne out of the stories themselves. "Ghost" sounds like a corny title in and of itself, but when you watch the episode in question, it makes perfect sense. There's another episode later in the season that Whedon didn't title which is called "Haunted." Essentially this is what Dollhouse does to Echo and the other Actives: put the minds of dead people into her brain and let them think for her.

In fact, this is an ongoing theme of the series. The living is being haunted by ghosts in Topher's machines: dead minds are stored and then placed later in the brains of actives for the Dollhouse's own selfish (or occasionally philanthropic) purposes. If I were to suggest a title name to Whedon, and if I really wanted to challenge him, I'd ask him to write an episode called "Soul" and to please go where the name suggests. He'd probably chicken out and do an episode that involved blues music. The thing is, I'm a deist and he's an atheist. I'd like to see him address the issue of whether or not Echo/Caroline actually has a soul. I'm not talking about gods here. I'm just talking about the concept of a soul. I don't think Joss thinks she does, but I think Caroline thinks she does, and I think she has more evidence, given what he and other writers have put Echo through, to support Caroline's opinion.

Everything Caroline is, everything she's ever known and felt, is theoretically digitized and saved on that little hard drive box that Alpha threatened to destroy, and that Echo & Ballard saved from certain destruction. Yet Echo watched Caroline, in the body of that waitress, die.

All the people that have been in Echo are still in her. Topher wipes her brain every time, but the mind is a curiously delicate yet resilient thing. If Topher's wiping the brain like a chalkboard with every visit to The Chair, then where is the mind protecting the information? It's making a backup, and where else could that backup be but the soul?

Topher's not really wiping brains. He can only disconnect previously stored information from the high end brain to the standard functions of the body. So Caroline has always been in Echo in a state of dormancy. All the people she's ever been are in there. It's just that Topher has a way to make the conscious mind forget where that information is.

Like when you forget where you put your car keys and you try to remember where but you can't. You must know. You were there when you put the keys down. You had them. Nobody else took them from you. You were there when it happened, but your conscious mind has nothing to use to access that information from your brain. Like maybe a mnemonic device or a note you left for yourself, but even if you try to retrace your steps and go back to the moment you last had them in your hand, you still can't access the memory, because something was distracting you at the second you put the keys down. Then you finally find them and maybe you then remember why you put them there, but maybe you still don't. You just shrug and go on with your day but in the back of your mind something is nagging at you. You honestly don't remember putting them there, but you must have, and that memory must still be in your head somewhere. You just can't remember where.

I think, when Topher thinks he's wiping all memories from a human brain, all he's really doing is dislodging that information from immediate access. The conscious mind forgets who or what it is, and then Topher can fill that emptiness with more information, but it's all stored elsewhere. Topher doesn't actually erase it. He just makes an Active forget where in the brain that information is available for retrieval. The brain's got a finite space, but something not currently understood by science that is ethereal might be where that information is really stored. Some place that Topher's machines can't wipe.

So if I were going to suggest a show title to Joss Whedon, I'd suggest "Soul." I doubt he'd write it tho. Who would want to tune in to see that? It's too ...cerebral.

Monday, July 6, 2009

Lost's Zombie Season Is Now, Part Three

In previous installments of what is rapidly turning into a series of posts, I have elaborated on my theory that the Zombie Season joke of Damon Lindelof and Carlton Cuse might actually have been a tongue in cheek clue as to the direction the ABC TV series LOST has been going. We know some characters have had brushes with death. We know some characters have actually died and yet are still walking around. However, I'm not sure if anyone has ever taken a running tally. What follows is an attempt to look at all major characters and significant other characters to see if we can determine who is still alive, and who only appears to be alive and is in fact probably undead.

Now for this to make any sense I have to assume that if a character had a brush with death, but we're not certain that they died, I have to put them in a kinda limbo maybe column. If we saw a character literally die, and then come back, I have to put them in the undead column. If there's no evidence of either then they are in the live column but keep in mind, we haven't seen every moment of every day of the lives of these characters. Just because I can't recall a time when Jack or Kate died, doesn't mean they didn't. It just means the writers/producers haven't showed it to us yet. Also, this is based on what we know currently, and can change at the drop of a hat after season six begins again. In all cases, if I say someone's alive, that's only because we don't know any better. Illumination of events pertaining to someone's past could change that.

So let's play ALIVE OR DEAD OR UNDEAD OR WHO KNOWS?

Jack "Doc" Shepherd - ALIVE (maybe)
When Oceanic 815 crashed, Jack blacked out and woke up in the jungle, a long distance away from the crash site. He fell out of the plane as the fuselage and a wing ended up near the shoreline. It's not incredibly likely, but it is possible that Jack died in that instant, and some unknown force artificially revived him. The same can be said for many if not all inhabitants of Oceanic 815, but particularly Jack. The writers purposefully had him far from the actual crash site. The writers also purposefully had Jack materialize on the Island away from Hurley & Kate when they appeared in the past after disappearing off Ajira 316. For now we have to put him in the Alive column, but the writers have given themselves room to later claim he's been (un)dead all this time.

Kate Austen - ALIVE
There has been no instance throughout the course of the series where the writers have purposefully shown us Kate dead and artificially brought back. This is not to say it hasn't happened. It's possible this has happened to all Oceanic 815 survivors, and we just haven't seen it yet.

John "Sawyer" Ford - ALIVE
Sawyer has led a dangerous life, and has made many enemies. It's very possible he's had a brush with death and the writers never showed it to us. However, based on what we've seen thus far, he's fit as a fiddle.

Hugo "Hurley" Reyes - WHO KNOWS? (undead)
Several times there has been a mention of an accident that happened to Hurley after his father disappeared and before he went to the Santa Rosa Mental Health Institute. A deck that was built to hold eight people fell when twenty-three people, including himself, were on it at the same time. Two people died. It's believed that he survived this unscathed, but felt depressed afterwards and insisted that the incident was his fault. Because of that, his mother had him committed. While in the facility, Hurley began to see someone named Dave who later turned out to be an imaginary friend. His doctor prescribed Clonazepam and also proved to Hurley that Dave was not real. After the crash, Hurley started seeing Dave again. Upon his return from the Island, Hurley began having interactions with friends he knew to be dead. Either he didn't die on that deck, and he's very much alive but crazy, or he died on that deck was artificially revived and can talk to the dead because he himself is undead. It should also be noted that Hurley has a surprisingly strange case of luck that has kept him alive multiple times when he should be dead. Some would attribute this to The Numbers that he used to win the lottery. It's also possible that he is a temporal anomaly and cannot die until some event in his future has been accomplished, probably on the Island.

John Locke - DEAD (kinda)
His corpse has been shown to us at the end of season five. However, it's possible that corpse is an elaborate fake. There are multiple peripheral characters (Widmore, Linus, Jacob, etc) who have the resources. It's just not very likely. There is a humanoid posing as John Locke but the final moments of the season five finale pretty much cemented the idea that UnLocke is not Locke, but rather a manifestation of Jacob's dark nemesis (Esau/Blackie). However, Locke's been undead before. We've witnessed John Locke fall out of a seven story window. Jacob visited him in that instant, and revived him artificially. From that moment onward, John Locke was definitively undead. He seemed to retain his own mental and spiritual faculties, but looks could be deceiving. His legs didn't work until he got on The Island. Once there, he began acting strangely and could walk again. It's possible that Locke has existed throughout the series as an undead pawn in the game between Jacob and Blackie. How much he's been himself and how much he's been manipulated is open for debate. At one point, Ben shot Locke in the gut and left him for dead, but he managed to survive that gunshot wound, presumably because Ben shot him in the kidney area and John no longer had a kidney because he donated it to his father years before. To the best of our knowledge, from the point when Ben strangled John in the hotel room off Island, to the end of Season five inside the statue, John has been dead dead, and Blackie has been impersonating Locke (aka UnLocke). The thing is, if John Locke could be artificially revived by Jacob before, what's to stop that from happening again?

Sayid Jarrah - ALIVE
Again, we've seen no near death experiences (NDE) and have no reason to believe he's dead or undead. That could change, and being an Oceanic815 survivor, he may have died then only to be revived by "The Island." Keep in mind that at the end of Season Five, Sayid wasn't looking so good. He'd been shot, had lost a lot of blood, and Jack didn't have the necessary time or resources to do anything for him. It's possible that Sayid could die in the season premiere, and then be artificially revived by The Island or whatever.

Jin-Soo Kwon - ALIVE
Again, we've seen no near death experiences (NDE) and have no reason to believe he's dead or undead. That could change, and being an Oceanic815 survivor, he may have died then only to be revived by "The Island."

Sun-Hwa Kwon - ALIVE
Again, we've seen no near death experiences (NDE) and have no reason to believe she's dead or undead. That could change, and being an Oceanic815 survivor, she may have died then only to be revived by "The Island."

Charlie Pace - DEAD (possibly UnDead)
Okay here it gets a little tricky. First off, he was a user. The writers could add to the mythology of the series that Charlie had a NDE years before Oceanic815. Failing that, and ignoring the face Charlie could have died and been artificially revived during the plane crash, we also witnessed (All The Best Cowboys Have Daddy Issues) Ethan hang Charlie from a tree, which should have broken his neck. Jack tried for several minutes to revive Charlie with no success. Then Charlie started breathing again. It's presumed because of Jack's efforts, but it may have easily been despite them. Charlie was also in the Swan station when it blew. Locke, Charlie, Desmond, and Eko all survived an explosion relatively unscathed. Charlie seemed to have lost his hearing for a bit but it was temporary. We did not witness the actual explosion. We saw Desmond was naked when he came back, but Locke, Charlie and Eko were fully clothed. It's possible that Charlie didn't die in this instance because, like Locke and perhaps like Eko, he's already dead and being artificially kept alive. After the Swan explosion, Desmond began experiencing flashes of premonitions that mostly involved Charlie dying. He endeavored to save Charlie multiple times from these deaths. Finally they both realized that they were only postponing the inevitable. Charlie was destined to die soon, and he chose to die in the Looking Glass station, in order to save Desmond. We witnessed Charlie drown after Patchy blew up the porthole to the station. It is possible that if Charlie was already undead, having a body filled with water is only a temporary state of being unconscious. If Patchy already knew this, it is not out of the question to believe that after Desmond vacated the station, Patchy could have returned, fetched out Charlie's body, then dragged him back on shore to revive him. If Charlie's undead, he could still be very much alive. So all those rumors and speculation about Dominic Monaghan being in the final season? Not completely outside the realm of possibility.

Claire Littleton - WHO KNOWS?
This could explain why the last time we saw Claire she was in a good mood, despite the fact she had seemingly purposefully left her only son behind to be in Kate's care. If she knew Charlie was still alive, she might have a smile on her face. Claire disappeared late in season four and hasn't been seen since. We saw no indications that she had NDEs prior to becoming pregnant, and it's hard to believe that someone artificially kept alive would be able to give birth. In fact, that might explain why Ben Linus' people were having difficulty keeping a baby to term. Perhaps if a woman had been on the Island during the Purge, she was dead but revived by Jacob or The Island or whatever, and therefore an undead woman's womb would be unsuitable for a proper pregnancy. Claire didn't have that problem, having conceived before arriving on the Island. So we're pretty certain she was very much alive at least until she delivered Aaron. The last time we saw her she was hanging with her dad Christian Shepherd, who is decidedly UnDead. So her current state could be alive, dead, or undead. Presumably we will see Claire in some capacity in season six because the actress has already been brought back on the payroll.

Benjamin Linus - ALIVE
As a child, Linus was shot by Sayid and taken to The Temple. Richard made it very clear that if Ben was revived by The Temple, he's never be normal again. He'd be one of The Hostiles. I want to believe that this makes him UnDead. However, the same thing essentially happened to Rousseau's crew, and she was able to irrevocably kill them. So that puts a hole in my theory that Ben is among the UnDead. Also, as an adult he was dying of cancer and Jack cured him of that. Hard to believe someone artificially alive would be given cancer by the Island. Not completely out of the question but a little difficult to make an audience swallow.

Juliet Burke - WHO KNOWS?
We have been given no indication that during her past prior to The Island Juliet had any NDEs. We witnessed her husband get run over by a bus, and her infertile sister was dying of cancer, but that's as close as Juliet came to death. Once on the Island, Juliet again seemed to be spared death herself, tho it has seemed to have befallen all the other Others she used to call friends. At the very end of season five, Juliet fell into a hole which seemed to have mortally wounded her. Believing a bomb could reset time, she picked up a rock and began banging on it because it had not yet gone off. Some believe this caused the bomb to go off, which may have killed her or it may have reset time. Others believe the bomb did not go off as it was never meant to (Sayid purposefully made a dud because he thinks Jack is insane) and Juliet has been transported into the present time. In any case, if she doesn't get medical care soon she's going to die. Since the actress has recently gotten a lucrative job on a tv series called V, it's doubtful she's going to be a prominent member of the cast in Lost's final season.

Desmond Hume - Alive (possibly undead)
It appears from a writing standpoint that this character has purposefully been written out of the narrative, and if they never revisit Desmond I would completely not mind. I like where they left him. Sure he's in the hospital but it was a superficial wound. He'll be fine. He'll be with his wife and kid and live happily ever after. I want that to be the case. I'm more of a Penny/Desmond shipper than I am a Kate and Jack or Kate and Sawyer shipper. It wouldn't matter so much to me what happened to the rest of the characters in the story, so long as Desmond & Penny come out of all this unscathed. However, I fear that's not going to be the case. Mrs. Hawking told Desmond that the Island wasn't through with him. When I look at the story between Charlie and Desmond I strongly feel that Desmond either purposefully or accidentally traded Charlie's life for his own. That in some previous timeline which is now gone, Desmond died in the Looking Glass station. However, his time flashes allowed him to save Charlie's life multiple times, but only temporarily. So the two of them got to choose when Charlie died, and Charlie died saving Desmond. Had Charlie not been there, Desmond would never be with Penny. So he's been given a reprieve, but like all the characters in the show his fate is forever entangled with the Island. It will eventually call him back, and when he does go back again, the Island won't let him survive. Like Michael, he'll be fated to do something that will kill him, but at least in this storyline, he was able to have a son, and have some precious time with the woman he loves. The Island can now take his life, but it can't take away the happiness he shared with her. So in a way he wins no matter what now.

Miles Straume - Alive (possibly undead)
Like Hurley (strange luck), Desmond (time flashes), Michael (temporary invulnerability), and Locke (multiple abilities), Miles has a special ability. It seems to be specific to being near a dead body. He's able to read from a body's remains when and how it died. We don't know why, but I'm of the opinion that all of these abilities are somehow tied into the temporal anomaly that is the Island. I don't believe people are getting powers because the Island is sentient and is granting them. I believe that these abilities that some characters have are side effects of the temporal anomaly. Some event in the past or future of each of these characters affected the individual's entire existence. Not just in a three dimensional cause and effect manner. These people have been affected fourth dimensionally. Now, Carl Sagan gave an explanation of the Flatland metaphor that describes how a two dimensional sentient being might react if exposed to a three dimensional perspective after living a life in 2D and I feel that might be what's going on here. When a 3D being is exposed temporarily to a 4D reality, it's possible that exposure affects the 3D entity's entire existence, because the fourth dimension is essentially time. So if you were exposed to time in middle age, it could cause anomalies that would have manifested from your birth to your death in unexpected ways. So Miles may never have died and been reborn, but like the other characters I mentioned, I believe he's either been exposed or will be exposed to a temporal anomaly in a manner that causes him to have this ability.

Michael Dawson - Dead (possibly undead)
As I just explained, Michael's one of the characters who may have been exposed at some point to a temporal anomaly. Because of that, when he left the Island and failed to find a way back to his life, he repeatedly failed to kill himself, because he wasn't able to die until certain events transpired back near the Island. This could mean he was always meant to die on that frieghter, but time was altered when he managed to escape the Island. Ben let him go, perhaps knowing that fate would eventually force Michael back when it was time.

Walter Lloyd - Alive (off island probably not coming back)
Like Desmond, I'm satisfied that Walt managed to escape the Island with only mental scars. It could have been a lot worse for him. I would not mind if his story is left where it is. However, there's another part of me that would like some completeness to the story by somehow using the descendants of the Losties to come save them. We currently have Walt, Ji Yeon Kwon, and Aaron off the Island. Damon Lindelof & Carlton Cuse have said that time travel is done. So I guess it's out of the question that these three individuals would return to the Island after having grown twenty years or more. Still, I like the elegance of the idea. The children come to save their parents. We'll see.

Shannon Rutherford - Dead (could be brought back)
Boone Carlyle - Dead (could be brought back)
Ana Lucia Cortez - Dead (could be brought back)
Daniel Faraday - Dead (could be brought back)
Mister Ekko - Dead (could be brought back)
Libby - Dead (could be brought back)
Charlotte Lewis - Dead (could be brought back)
Nikki Fernandez - Dead (could be brought back)
Paulo - Dead (could be brought back)

Sunday, July 5, 2009

Is Lost's nemesis of Jacob really Esau?

Well this is mildly interesting. It's a link to a pdf file that talks about passages in the Bible referring to Jacob & Esau. It is not intended for Lost fans, necessarily. However, looking at this information in light of the end of season five of Lost is.. educational. Now, please understand I am not a zealous Christian who wants to use your interest in Lost to convert you to Christianity. Far from it. In fact in recent years I've been questioning my own belief in Christianity or Deism as a whole, but I digress. Rest assured my interest in this context is in understanding the permutations of Lost mythology. I have no interest in the destination of your soul, beyond my hope that you end up wherever you want to be.

I'm no bible scholar by any stretch of the imagination, but I was raised a southern Baptist so I know my way around the book even though I don't put as much stock in it as I did when I was seven. For purposes of Lost though, it's an interesting resource. I don't know the details to the religious proclivities of the masterminds behind Lost. I have read somewhere that J. J. Abrams is Jewish, but I could be wrong. I am relatively certain that the people behind Lost would agree with me that the events depicted in the Bible are still The Greatest Story Ever Told. Whether you personally find it to be fact or fiction or an interpretive combination of the two, it's hard to dismiss just how intricate and mind-blowing the story itself is.

In the above mentioned pdf file, and I'll try to summarize in case that link disappears by the time you see this, it talks about 1 Peter verses 3:15-16. You may notice that 315 was the number of the Ajira flight in season five of Lost, and that 15 & 16 are two of "the numbers" made famous in Lost season one. I am not blind to that coincidence, but I'm trying not to freak out over it. Since 2004 I have seen the numbers 4, 8, 15, 16, 23, and 42 pretty much everywhere.
Bear in mind that our Lord’s patience means salvation, just as our dear brother Paul also wrote you with the wisdom that God gave him. He writes the same way in all his letters, speaking in them of these matters. His letters contain some things that are hard to understand, which ignorant and unstable people distort, as they do the other Scriptures, to their own destruction
In as nice a way as he can, Peter is trying to tell readers that sometimes Paul says stuff that others will misinterpret. Does this sound like someone familliar in the tv series Lost? Peter also points out that unstable and ignorant people sometimes distort Paul's words. I accept that I can be defined in this context as unstable and ignorant. As I said before, I'm no bible scholar. Also, I have a bit of a chip on my shoulder when it comes to Paul.

Personally, even when I was a diehard Bible thumping Jesus freak, I had difficulties with Paul. For example, he said nice things about the Roman empire and how you should give unto Caesar's that which is Caesar's and give unto God that which is God. Of course he wrote this while in a Roman prison, so I'd probably say that too. Paul also said very mean-spirited things about homosexuals, and while I personally don't understand why gay people do what they do, I certainly don't go around condemning them to hell. However, that's just what Paul did on multiple occasions. He condemned people a lot, for all sorts of things, and I don't think that was his job. I would go so far as to say the man was no saint, but I think the Roman Catholic Church disagrees with me on that score. Some modern day gay bashers are reinforced by what they see in Paul's letters. Because of Paul's words, some have taken it upon themselves to do horrible things to homosexuals, from just teasing to downright murder. So yeah, I'm a little "unstable" when it comes to Paul. That's a nice way of saying I'm very angry with him. How my (perhaps ex?) fellow Christians treat homosexuals (and others who disagree with them) can be led straight back to what Paul teaches. That is one of the things that has caused me to fall just short of denouncing Christianity. Jesus talked about doing unto others as you would have them do unto you, but many Christians put Paul's words ahead of Jesus'.

I digress. Please forgive me. As I said before, I have no interest in converting you to Christianity. Believe whatever works for you.

Recently I came across a Lost Poll at Dark UFO that asked the question: Should fans of ABCTV's Lost stop calling Jacob's nemesis "Esau"? My gut said to vote Yes on this one because there's no canonical corroboration for the name. It's a hypothetical guess based on Judeo-Christian dogma. In the bible there was Jacob and there was Esau. In the New Testament there's a passage written by Paul in Romans chapter nine where Paul writes that God loved Jacob but hated Esau. It's possible this is where Lost's writers got Jacob's name, and if that's the case then it only makes sense that his nemesis would be named Esau.

Again it should be pointed out that in 1 Peter verses 3:15-16, Peter warns us that some things Paul writes can be easily misinterpreted.

I didn't vote yes, because unlike Paul I don't think people should be told what they can and can't do, at least with regards to insignificant things like this. I do go around asking human beings to stop killing each other or destroying one another's property, but nobody listens to me anyway.

People should be allowed to call the guy whatever they want. I call him Blackie. Not cuz I assume he's the bad guy, but because at the beginning of the series Locke talked to Walt in reference to backgammon about how there's always two sides: one white and one black. The costumers purposefully draped Jacob in light colors, and the casting directors chose a fair haired and light skinned man to play Jacob. This other guy has dark hair and is dark garbed, so I just call him Blackie until we get a better name. Again, I don't assume this means he's the villain necessarily. I think both Jacob and Blackie are the bad guys. They're players in a game that uses human beings as chess pieces. I'm not rooting for either of them.

The thing is, the writers of Lost purposefully kept us in the dark as to the name of The Man In Black. Probably because they wanted people like me to write blog posts about it, and they wanted people like you to read them, then write blog posts of your own about what you think it all means.

But getting back to the Bible itself, "where" you might ask "does Paul actually talk about Jacob and Esau anyway?" I'm glad you asked that question. It's in Romans Chapter nine. In the beginning of the chapter, Paul describes how not all who are born in Israel can be considered the descendants of Abraham. In case you don't know, Abraham is a big muckety muck in Judeo-Christian mythology. He's a descendant of Noah, and then Adam before him. Back in the Old Testament, birthright was still a powerful thing. Presumably some bloodlines of nobility can be traced back to biblical characters. At one time this was very important to people, before peasants realized that blue blood ran red.

Verses six through thirteen of Romans chapter nine look something like this:
6 But it is not as though the word of God has failed. For not all who are descended from Israel belong to Israel,
7
and not all are children of Abraham because they are his offspring, but “Through Isaac shall your offspring be named.”
8
This means that it is not the children of the flesh who are the children of God, but the children of the promise are counted as offspring.
9
For this is what the promise said: “About this time next year I will return, and Sarah shall have a son.”
10 And not only so, but also when Rebekah had conceived children by one man, our forefather Isaac,
11
though they were not yet born and had done nothing either good or bad—in order that God's purpose of election might continue, not because of works but because of him who calls—
12
she was told, “The older will serve the younger.”
13
As it is written, “Jacob I loved, but Esau I hated.”
Now, where is Paul getting all this? The Old Testament. Keep in mind that when Paul was writing, Christianity wasn't really the worldwide firestorm religion that it is today. In fact, how we perceive Scientology today is pretty much how the Roman Empire felt about Christianity. They were whackos. Now, jews were people the romans could diplomatically bargain with, but Christians were rebellious upstarts who were still on fire with a burning need for power, because their martyr had recently been crucified, his disciples were being hunted down and incarcerated or otherwise crucified. If I remember correctly, Paul was in a roman prison when he wrote his letter to the Romans. So Christianity at the time of Paul's words was not widely accepted. It would be. A few centuries after Paul's death, Catholicism would overtake the Roman Empire and become what we now know today as The Roman Catholic Church. Roman emperors used to throw Christians to the lions - literally. For sport! Kinda makes you look at Scientology a little more wearily, doesn't it? I fear for humanity's future, if it ever starts taking "engrams" seriously.

Paul was going on what he knew in the Old Testament, which wasn't called the Old Testament back then cuz Paul was writing the New Testament and didn't even know that's what we were gonna call it. To Paul, the story of Abraham was still rather new and novel and exciting, because Paul used to be a roman guard. He converted to Christianity on the road to Damascus. He was one of the first Jesus Freaks. So to Paul, the story of Abraham was very much like how the story of Lost is to us now. Fascinating. New. Mentally challenging to try and understand. The primary difference is I don't think Damon Lindelof and Carlton Cuse expect us to bow before them and worship them like gods.

They probably wouldn't mind.. but I digress.

The story of Abraham takes up the bulk of the latter half of the Book of Genesis. I skipped that part as a kid cuz it got boring really fast after the flood, and the story about the old man threatening to sacrifice his own son cuz God wouldn't give him a goat? That's a mildly disturbing story to try to grasp at the age of seven.

Abraham had a lot of kids. Issac is essentially the father of the Hebrews. Ishmael is the father of Arabised Arabs. This is where Islam & Judaism part ways in the Old Testament, but essentially they're arguing over the same god. Ever hear of The Smothers Brothers? They always used to fuss over which son their mother liked best. That's pretty much how I see Issac & Ishmael. Issac was the son of Abraham and Sarah. Ishmael had a different mother, so Isaac & Ishmael are actually more like step-brothers. Christianity also seems to consider Ishmael a bastard child, but Islam begs to differ. It gets really catty from here on out between those two religions so let's just ignore that part.

Isaac was also the father of both Jacob and Esau. See where I'm going with this? Both Islam and Judaism talk about Issac as a great servant of God and the Father of the Israelites. Jacob was such a nice guy, muslims have nothing nasty to say about him in the Quran. His descendants tho are either ignored or ridiculed. Mostly ignored. Christianity seems to take the Jacob/Esau thing more seriously. Jacob and Esau were fraternal twins (not identical), born of Isaac and Rebecca. Jacob is also known as Israel, and is the father of the twelve tribes of Israel. Jacob made something of himself. Esau was by contrast, an asshole.

When I say Jacob was also known as Israel, I mean Jacob was renamed Israel by an angel that descended from heaven with a big wand and went 'twang' on Jacob's head. So Jacob was named Israel which meant at the time "struggler with God" which is another way of saying "Superman's Pal."

Esau means "hairy" in hebrew. He's also sometimes called "Edon" which means "red." He was all red and hairy when they pulled him out of the womb, and the name stuck. Esau got the short end of the stick for pretty much his entire life. He'd never read the book "How To Win Friends and Influence People" and it sounds like he was an ugly curr so I doubt the book woulda done him any good. Esau's the bad apple. He's the "evil twin" and not even God liked him very much.

But this is where the story of Esau and Jacob breaks down for me. Jacob is the favored son. Esau was the black sheep. When the two were grown up, Esau was down on his luck and fell on hard times. He begged his brother Jacob for some red lentil stew cuz he was starving. Jacob gave him food in return for his birthright. Now, let's look at this carefully. Jacob, the good guy, only offered to save his brother's life from starvation IF his brother would denounce his rightful heir to the throne of Isaac. He tricked his brother out of being the father of Israel.

Now one can argue that Jacob was doing what was right for his father's people - for his own people. Because you take one look at Esau and even thoughhe's the first born you can't imagine this creepazoid leading the Israelites into a prosperous future. However, Judeo-Christianity is founded on two brothers who are treating each other worse than Bart and Lisa Simpson ever did.

Jacob's supposed to be the good guy. Esau is supposed to be the bad guy. Frankly, I can't tell the difference. Can you? The good guy woulda fed his brother, and figured out what was wrong with his brother so he could help him be a better person.That's if you're a good guy. Jacob's not a good guy. He's human just like everybody else. He makes mistakes. He's jealous that his brother can be all ugly and stupid and still claim rightful heir to the throne, so he starves his own brother and tricks him into giving up his own birthright. Now Esau is homeless, penniless, has no future prospects, and can't even really call Jacob his brother. Jacob gets everything. Esau gets nothing. Jacob is remembered for being the father of a nation. Esau is remembered for being red and hairy and stupid.

So IF Blackie is Esau, one could understand why he'd look at Jacob and ask him, "do you know how much I want to kill you?" Who wouldn't? Jacob's as much of an asshole as Esau. However, this is all speculation. There's no conclusive proof in the Lost television show that the final season is going to boil down to two jewish brothers arguing over who deserves the best bahmitzvah. If it does, I may find myself switching the channel, because quite frankly I've had my fill of Judeo-Christian mythology for one lifetime.

Friday, July 3, 2009

Dollhouse Plot Idea: Keeping Up With The Joneses

[Whedonesque asked in Twitter what actor would make a great addition to Dollhouse Season two. Wil Wheaton (@wilw) volunteered himself and many of us simultaneously seconded his self-nomination. Wheaton would be an awesome special guest star, but what role would be ideal for him? Upon contemplation, I came up with this. This is VERY rough. I'm not a professional writer. I wanted to be at one time, but this is a first draft that could probably be better fleshed out by someone who actually knows what makes good television. In this, Wil Wheaton would play the part of a guy named Marcus Jones, and ideally we'd need to get Oswald Patton to come back as Joel Mynor.]

Keeping Up With The Joneses
a plot treatment for Dollhouse Season two

TEASER
EXT NIGHT: Outside an industrial warehouse complex.
We first see an overview of a white van and four black SUVs. There are several men mulling about, all are in matching brown business suits and are wearing sunglasses. At night. They have ear pieces and scream expensive security, but not presidential. This is corporate. A couple are walking from an SUV to the van or otherwise appearing to have business to attend to, but these are last minute preparations. Most of these guys are just standing around bored. There's way more security detail than should be necessary.

We overhear a couple guys in talking about that very thing as we get a closer view of men in white dust-clean outfits packing boxes into the van. What's inside them is not important, but it's probably computer equiptment of some sort. Again, appears to be far more attention than necessary. The two guys mull over the absurdity of the evening, but so long as Mister Joel Mynor's checks don't bounce, they'll do what they're told.

At the mention of his name, camera cuts to inside the warehouse. A couple more men in white dust-clean outfits are carrying boxes out to the van, and we see Joel Mynor walking towards three men in suits wearing sunglasses, in a corner of this large room. One of these men is on the ground being kicked by the other two, their guns also drawn on the security guy on the ground.

Mynor walks up to them casually with a nonchalance that indicates immediately that he's paying for everything we see, and treats the men in suits and sunglasses with the same respect he would have for a very expensive car or any possession.

He addresses the men kicking the third guy first and asks them to back off, then he addresses the third guy by his first name. The guy on the ground corrects him because he gets the name wrong. Joel apologizes, and we see that though the other two men have backed off, their guns are still drawn on the guy on the ground. The third guy manages to put his sunglasses back on during this next exchange.

Joel Mynor: "What seems to be the trouble?"

Guy w/gun 1: "He's our mole, Mister Mynor."

Joel Mynor: "Oh really? And how do we know?"

Guy w/gun 2: "It's our job to find out sir."

Joel Mynor: "No. It's your job to find out three days ago before I committed myself to shipping tonight!"

Guy w/gun 1: "We have to cancel the shipment sir."

Joel Mynor: "WE don't have to do anything. I am committed to tonight. Now in fact. Deal with this."

Guy w/gun 2: "You want us to interrogate him first? We don't even know who he works for."

Joel Mynor: "I can guess who he works for."

Joel kneels down to the bloodied security guy. He takes off the guy's sunglasses and informs him he is no longer employed. That his family will get his final check in the mail and a respectable severence package later. His mom will get a letter from his office saying he died heroically.

Joel Mynor: "I just got two words for you. Markie Jones."

It's now an OTS shot where we see the bloodied guy's face. He's trying not to show any emotion but it's obvious Joel has guessed correctly.

Joel Mynor: "You'd suck at poker, you know that?"

Guy w/gun 2: "Marcus Jones? He's your boss? Holy crap!"

Guy w/gun 1: "We have to cancel sir."

Joel Mynor stands up and slaps the glasses off the guy with gun 1.

"We cancel nothing! I make those decisions and I say we go! WHY do you think I put so much security detail on this evening? I have twenty of you guys in four SUVs circling an armored van. We will do this now. We will do this right. Nothing will go wrong. Jones is not going to outwit me this time! Let's move out!"

We see Joel and Guy w/gun 1 walk out of the warehouse and into the van. Guy w/gun 1 takes the driver's seat and Joel takes the passenger side. They're the only two in the van. The guys in white are done packing it with a final slam of the back door, and we hear a scream and gunshots as the van and SUVs move out.

Cut to inside the warehouse. The mole guy is now dead. Guy w/gun 2 turns around to see the convoy driving away without him. He curses under his breath and touches his earpiece. "Clean up on aisle five. ..yeah I'll be here. Hurry up."

Cut to show the five vehciles on the road. Everyone's on high alert because news has been passed around by earpiece that Jones knows and to be on their guard. None of them are taking this lightly.

Joel puts one of the earpieces on, looks at the sunglasses and opts not to wear them. We cut to the perspective of the Guy w/gun 1 and whenever we see through a security guys eyes we find out that the shades are actually high tech w/night vision and computer readouts intended to help them. Joel tells the four SUVs to report in. SUVs 1, 3, and 4 respond in a routine business like manner, but SUV 2 does not. Joel looks in the mirror, then sticks his head out the side window. There's only three SUVs following him now.

Guy w/gun 1 yelps. Joel asks what's wrong as the guy takes off his sunglasses. "it musta shorted out. Just went dark. Can't drive like that."SUV4 reports in quickly that their shades just shorted out. Joel asks if the others have the same problem. SUV1 reports immediately, and Guy w/gun 1 points out that they're all on wifi anyone could hack into them, to which Joel tells him to shut up. Then Joel realizes SUV 3 hasn't reported in. He checks the mirror and looks outside again, and there's no b lack SUVs behind him now. Only the two in front of him.

That's when the back doors on the van burst open, and a black garbed figure falls into frame from the roof of the van. Immediately after that, the two cars in front of the white van explode. The Guy w/gun 1 yelps again and struggles to avoid the exploding cars, causing the van to almost run off the road and threaten to drive into a ravine. The guy w/gun 1 manages to keep the van upright and back on the road, but half the goods have fallen out the back of the van, and we get a close up of Joel Mynor looking as if he's seen a ghost. He's looking at the black garbed figure who puts a gun to the back of The Guy w/Gun 1's head.

Echo: "That was an impressive display of driving. Joel ain't paying you enough."

Guy w/gun 1: "Mister Mynor?"

Joel: "Rebecca?"

Guy w/gun 1: "You know this lady?"

Echo: "Who's Rebecca?" she turns her attention back to the driver, "Stop it here so I can shoot you."

Guy w/gun 1: "Lady my driving right now is the only thing keeping you from killing me."

Echo: "actually you're wrong."

She shoots him point blank in the back of the head, but we don't see that. We see an outside shot of the white van running off the road into the ravine. Then we see Echo holding a groggy Joel and dragging him out of the van. She gets him to safety just in time as the van explodes. He tries to catch his breath.

Joel: "What the hell is the meaning of this? I'm one of your clients! I pay the Dollhouse! Why the hell are you attacking me?"

Echo: "I really don't know what you're talking about, but Mister Jones hired me to send you a message. You wanna hear the message? It's pretty funny."

Joel: "I don't care about that. I get the message! He's willing to do whatever it takes to put me outta business so he can be the next Bill Gates. Whatever! I can't believe this! Every year! Once a year for the past three or four years I've ordered you! From the Dollhouse! You come to my house with my wife's brain in your head! Don't you remember? Of course you don't remember. Well if you don't remember Rebecca maybe you remember that cop's fantasy lady. Caroline. You remember her? Some FBI guy was trying to find you. Did he?"

Echo: "Caroline..?"

Joel: "Yeah! Caroline! That took that smirk off your face didn't it? Now you tell me how I can get an audience with your boss.

Echo: "Mister Jones?"

Joel: "No! Your real boss! Adele DeWitt! Cuz if Markie is gonna start using MY Dollhouse to put me outta business, turnabout's fair play!"

...

Okay that's just the teaser. In the first act I see Oswald Patton as Joel Mynor storming into Adele's office and demanding an audience. She counters that she had no idea Jones was using her services to take out one of her other clients. This is of course a lie. She offers Mynor all the resources at her disposal to get back at Marcus Jones and Mynor is all for the idea. We then see that play out, and during that exchange, we meet Marcus Jones for the first time. Marcus Jones would be played by Wil Wheaton.

Through the rest of the episode, we witness an interplay between Marcus Jones and Joel Mynor. They try to outwit one another, and during the course of this they both get more obsessed with outdoing one another, exhausting all of their money and resources to be able to afford Dewitt's services. We also get to see moments like Echo and Sierra pitted against each other. This time Echo is working for Joel and Sierra is working for Marcus. Echo is supposed to protect Joel and kill Marcus. Sierra is supposed to defend Marcus and take out Joel. Marcus orders Sierra to kill Echo, but Joel never goes that far in return.

We learn as the episode progresses that Marcus Jones is much like Joel Mynor in many ways. They have a history together. They went to school together. They used to be friends and in a way still are, but business is business and they're both vying for position in the industrial computer sector, which turns out to be a lot more bloody and dangerous than you might think. The two guys treat this like it's a video game; they use their pocketbooks like joysticks and the Dollhouse like a PS3. Marcus is much more soulless than Joel. He's literally willing to do anything to outdo his old friend. Joel has a line he won't cross and it looks like it'll cost him the fight.

A subplot involves Ballard and Boyd investigating both of these men. DeWitt's real goal here is to keep both Mynor and Jones preoccupied while the Dollhouse tries to find out what dirt is under their fingernails. Boyd and Ballard discover that at first it appears Mynor is secretly involved in overseas weapons shipments to a foreign country that is most decidedly not one of the Dollhouse's clients. These weapons are being put into the hands of children in a third world country and DeWitt has a personal stake in keeping that from happening any longer. So they confront Mynor about this in the last act and Mynor insists he knows nothing about it. Then Boyd & Ballard look at the same evidence another way and discover that Jones has been doing this the entire time, and purposefully making it to look like Mynor is the culprit, so if Jones' more questionable business transactions ever got found out, Mynor would be the one to go down.

The climax of the episode lets Marcus Jones get away physically (cuz now he's a great potential villan for future episodes, with motive to bring down the Dollhouse), but the Dollhouse now has enough information to anonymously report Jones' company to the authorities for a full investigation. Therefore, Mynor wins in his Keeping Up With the Joneses competition, but then he gets the final bill, and in order to pay the Dollhouse back for everything they've done for him, Mynor essentially has to sign over controlling interest in his company. He's now penniless.

Mynor asks DeWitt for a job, to which she admits he's a little too reckless and foolhardy to work for for her company, "but if you give your resume to the receptionist before you leave, I'll keep your name on file for the next six months. Maybe a janitor position will open up."

Course Correcting Lost

"Doing time travel is a little bit like dating a beautiful girl. It seems really attractive at first and really fun and then you discover that she's high maintenance. Then you discover that she's actually psychotic, and you can't extricate yourself from the relationship. It seemed really alluring at the beginning of the season. By the end of the season we were like 'whew!' We just wanted to escape with our lives."
- Carlton Cuse
Back in April I attempted to tackle this topic with Lost Versus The Temporal Paradox but I just read over that and I didn't explain it well enough. I need to simplify my position. Please understand that's almost impossible given the subject matter. Temporal physics is widely theoretical. Some would argue that at best it is speculative fiction and at worst it's not science at all. Many scientists presume that time travel is not even possible. It's like assuming a comic strip character could magically lift himself off the newsprint and walk around in our three dimensional universe.

We are in fact traveling through time right now at one second per second. You may notice if you are in a fast car or a moving train, that outside it appears that people and things not going your speed and your direction are moving more slowly. In fact they are. Einstein's theory of relativity proves that. The faster you travel, the slower time moves around you. This is essentially why the GPS guys have to resynchronize their clocks with the ones floating in geostationary orbit out in space. Time outside the atmosphere of the planet Earth differs from time here on the ground.

On television, or in the movies, or even in your favorite novel, time works on even more absurd levels of rules. First there's the actual time you use to experience a story. For example, in the first few seasons of Lost we estimate that the average episode reveals to us approximately three days on the Island, however it takes us less than an hour to experience any single episode. This is not consistent w/other shows by the way. Time works differently for all shows but I'm concentrating on Lost right now.

Secondly, time differs inside the show itself. The writers could have chosen to pull a fast one. They could have made us think time worked one way for a given episode, and then for another episode it would work differently. However, for the first few seasons they were mostly consistent w/audience perceptions of time. One episode per every three days, give or take. This is in regards the 'present day' storytelling. Flashbacks are a whole other can of worms. In fact, in some episodes there were flashbacks that gave us information of events transpiring on the Island while other events we already knew about were going on. You can look over a very detailed time line over at LostPedia.com . Wherever possible, the producers of Lost were careful to give us visual and auditory clues to explain when and where they deviated temporally, and how that affected the story. We could tell after a dramatic sound cue and cutaway, that now we're no longer viewing events on the Island, but instead have been transported to Sydney Australia days before the 815 Crash, or years before based on costuming choices, references to calendars or watches, various props and location choices, etc.

Late into season four, things got dramatically different. Some of our Losties left the Island and went home. Other Losties remained on the Island and began to experience temporal distortions that caused them to end up in the same place on the Island, but in different times, and the island was also shifting in space relative to the rest of Earth. This was about the time we were introduced to the idea of Fast Forwards in which some events the producers opted to show us revealed information about what would happen after events currently going on, on the Island.

There were practical reasons why some of these temporal changes occurred. The first has to do with aging. The actor playing Walt started as a little kid, but hit a growth spurt by the end of season two, making it difficult for him to continue playing the part of a child who had aged less than a couple months. So both he and Michael were written out of the story. Walt has been seen very little since then, but usually in the context of years after September 2004, to explain why the actor/character now looks like a young man. Elements such as these simply compounded the extraordinary difficulty the producers had in conveying to we the viewers just where and when each scene was taking place. To combat that, the cast & crew of Lost rose to the challenge. To the best of anyone's ability, I think they were successful, but it's understandable that a large chunk of the audience is still in the dark; still a little.. lost.

In season four, it was explained the Oceanic Six were on the mainland approximately three years. Maybe four. In season five, it was explained that after multiple time hops, Sawyer and his group of survivors hung out in Dharmaville for approximately three years. Maybe four. This means that even though our characters have been separated, when they reunite late in season five, they are all about the same ages as they would have been had they all shared the same normal linear time frame. Maybe they differ several weeks, or months, even close to a year, but not a noticeable time difference. By the way this also means the Losties have now aged about as much as we have, give or take a bit. So if any of the actors look their age, they can show it now, cuz they're supposed to be about the same age they currently are. They can even bring Walt back now if they wanted, because by now the actor would be the right age. They just can't do any flashbacks involving Walt without some camera trickery or CGI.

In fact it's possible that when the crash of Ajira 316 happened, Jack, Kate, Hurley, and Sayid were returned to the island at precisely the second they would have been on the Island had they never left. This brings me.. to Course Correcting.

In the episode "Flashes Before Your Eyes" Desmond meets Mrs. Hawking for his first time, although she seems to recognize him. She tells him that he can't marry Penny, because he's always meant to end up on that island and if he doesn't go, "time has a way of course correcting." If he's destined to do something, it's going to happen, because whatever happened happened and when the island is done with you, it'll kill you. Dead is dead. Up until the island is done with you, you can in theory live forever, but if you're meant to die, you're going to die. Charlie and Desmond learn this first hand, when Desmond begins seeing premonitions of Charlie's death, tries to save him, only to learn he's postponing the inevitable.

Now this is the crux of our problem with time travel on Lost. Many viewers of the show are expecting time travel to behave on Lost the way it does for most television and film. However, it can't. We are used to time travel like on Back to the Future, where you can go back in time and accidentally your own mother gets smitten by you, neglects your future father, so they never get married and you never get born. That's a paradox. The writers on Lost have gone out of their way to avoid paradoxes, even to establish that time doesn't allow them. If you go back in time and try to kill yourself, the gun will jam, or the piano will not fall fast enough, or your younger self will happen to take a drink of a canteen just as the blade flies towards his head. You will not die, because you can't.

People see this on the show and think "The Island" is doing this. It is not. TIME is doing this. During Meet Kevin Johnson, there are times when Michael should by all rights be very dead, but he doesn't die. He can't die, until he's successfully slowed the bomb enough for the Oceanic Six to get rescued, because he was always meant to do that.

Ben says to Jack that he was never meant to leave the Island. From this we are to infer that there was a previous timeline in which he never did, but that something happened to change events. Viewers see this and presume that means there are multiple timelines in which other events have transpired, but there are no other timelines. There is only one timeline.

Look at a body of water. There may be ripples or waves. Perhaps it is still. If you throw a rock into the body of water, it will disrupt the surface of the water temporarily, but it won't cause the water to change irrevocably, and after a bit of wave dispersion, it will return to its previous tranquil state. Time on the television series Lost doesn't operate like something that can be molded and shaped on a whim. Time on Lost also doesn't behave like something that's solid and impossible to alter. Time is fluid. However, once something happens, it happens. What we are essentially witnessing as we see the events of Lost unfold before us, is we are watching a large body of water from late fall into early winter, as it slowly freezes over. Once a part of the ice has frozen over, it remains where and how it is. Once the writers tell us something that happened on Lost, to the best of their ability, they're going to keep it that way. However, in areas they have not yet explained to us, the lake hasn't yet frozen over, so they can still reveal information to us that explains how the other pieces fit together. By the end of the series, the metaphorical lake will be completely frozen over. and we'll see a finished whole.

Many viewers assume that at the end of season five, Juliet was successful at causing the bomb to explode by banging on it repeatedly with a rock. After Sayid and Jack had so roughly traversed with it across a great distance, and after that same bomb fell into a large gaping hole. If that bomb was ever going to go off, it would have gone off long before Juliet banged on it eight times. What we thought was an explosion, when everything went white, was actually another temporal hop - most probably to present day where UnLocke, Ben, Richard, Sun, and the fallen Jacob are awaiting their arrival.

Why? Because The Incident never involved a nuclear explosion. It involved an electromagnetic disturbance that was caused not by our Losties, but by Radzinsky foolishly continuing drilling into the anomaly underground. That always happened. That was always going to happen, whether the Losties were there or not.

Because even though some unnatural things or people have obviously been manipulating events and people for unspecified ends, time has a way of course correcting. You may be able to postpone an event from happening but if it's meant to happen, it will happen. Eventually.

This explains everything on Lost. It explains why Richard hasn't died. It explains why Charlie had to. It explains why Locke could walk on the Island and it explains the times when he could not. It explains why Jin met Danielle. It explains why Hurley is exceedingly lucky. It explains why Susan was such a jerk to Michael. It explains why Juliet was brought to the Island. Not because of The Island, but because of temporal distortion. Time and destiny.

There was perhaps an original timeline before the distortion. A timeline in which events as we know them now transpired a little differently. Maybe Desmond was the one to die underwater at the hands of Patchy, but because Desmond saved Charlie multiple times, Charlie was there to take Desmond's place, allowing him a chance to be with Penny for awhile and have their son. Maybe that didn't happen in the original timeline. We'll never know, because that original timeline without these temporal distortions is gone forever, like a summer rain erasing a chalked hopscotch game off a sidewalk.
"We did dig this whole notion of fate and destiny. You know, can you change the future. How much of their lives is pre-ordained? The big question the audience should have going into the final season of the show is what is the destiny of these characters, and the degree to which that destiny feels pre-ordained is something that we wanted to explore."
- Carlton Cuse
Carlton Cuse mentions whether the lives of these characters is preordained. A lot of Lost fans I talk with speak of destiny and how these characters don't have any control over their lives, then they say they don't understand why, for example, Jack would say no to saving little Ben when we already saw him say yes to saving bigger Ben. I find this frustrating. He had a choice, but given the events, there was only one choice he could make.

People think of destiny as something that is cut and dried. If you are meant to do something it's because you have no control over what you do. However, destiny is far more complex. Your control over your own destiny is what you make of it. If you choose never to leave your house, you were always meant to stay inside, because that's what you do. Maybe something happened in your childhood to make you agoraphobic. Maybe you're just lazy. Whatever the reason, your psychological make up is how you choose your behavior. Not destiny. Now, there are things that happen outside your realm of control that will also influence your choices. The choices of others for example. You can be manipulated, but those manipulations are also 'destined' to happen, by the choices of whatever causes them, or by the physical laws of nature.

Jack has an opportunity to save Ben twice. Jack gave older Ben the benefit of the doubt, and saved him from cancer. Then when Jack was sent back in time, he had a second opportunity to save Ben. Jack chose not to, because of Ben's reaction to Jack's saving him the first time. In that, Jack broke his Hippocratic oath, but he felt justified in not saving young Ben, because of old Ben's behavior. Jack had no motivation for saving Ben as a child, because of Ben's behavior as an adult.

Faraday decides to try and change history, and time sets into motion events that lead Faraday's own mother to shoot him dead, to keep him from changing history. Or so it would seem. How much of this was Faraday's own doing, and how much of it was beyond his control?

Man of Science (Jack). Man of Faith (Locke). Man of Luck (Hugo). How much control do we have, and how much control is beyond our capacity? If we run from our fate (Kate), will it catch up to us inevitably? If we try to con fate (Sawyer), are we destined to fail to outwit it? In the equation of life, are the constants variable (Desmond), or are the variables a constant (Faraday)? Are we destined to fail, like Faraday at the barrel of his own mother's gun, or are we able to put off the inevitable long enough to change history, like when Desmond saved Charlie long enough to allow Charlie to choose to die a hero and not a fool? And was Charlie always meant to die the way he did, or did he replace Desmond? Was Desmond destined to die at the hands of Patchy underwater, or did Desmond inadvertently use Charlie as a sacrifice, so that he may live? Did Locke do the same with Boone, either on purpose or accidentally? Was Locke meant to die when Boone did, had Locke been alone investigating that plane?

This is what Darlton & the cast & crew of Lost have been exploring. Are our lives fated, or do we choose our fate, by the seemingly inconsequential choices we make every day? And if we do what we can to change our own fate, will events around us that we can't control force us into alignment anyway? Does anything we do make any difference?

Either Blackie or Jacob threw a very big hot rock into the placid lake as it was icing up for the winter. Whichever one did, the other one has actively sought to fix things.. To 'patch them up' if you will. You can throw as many hot rocks into the metaphoric lake as you want, but winter is coming, and that lake is gonna freeze over. Nothing can change that. It's fate. Just as surely as a year from now, Lost will be over.

Monday, June 29, 2009

Lost's Zombie Season Is Now, Part Two

This is speculation & not spoilage. Even so, read further at your own risk. You have been warned.

It is very possible that any and all previously killed characters can return. We've witnessed it already. Two phrases so significant in season five they became titles of episodes are "whatever happened happened" and "dead is dead." We've witnessed first-hand that while these two phrases are true, there's something sinister about them. What we think happened may not have happened the way we think, but only because we do not know all the facts. We may see an event in the past from Jack's perspective where he meets Desmond, but then if we see that same night from Desmond's perspective it carries different meaning and significance. We may see Locke fall from a great height in season one and think his survival miraculous but not otherworldly. In season five we witnessed Locke was very dead until Jacob revived him after his fall. This adds new information to what happened, without literally changing the event. Our perception of it is all that changes, given the new information.

Christian and Locke are both very dead. Dr. Jack Shepherd is many things but he is not incompetent in determining conditions of traditional death. However, both individuals are also still clearly walking around. We've also seen other characters we know to be dead reappear on the series as visions or dreams. It's also possible that there were people who died in the crash of Flight 815 or Ajira 316 who appear to still be alive, but are being kept alive artificially through the unique powers of The Island, for Jacob's purposes, or Blackie's, or perhaps another party we've yet to meet.

Although I personally believe there will be few if any flashbacks in this final season, the writers may surprise me and continue the flashbacks for consistency's sake. There certainly is no longer an overpowering need beyond curiosity at this point. I'd like to see Ben meet, kill, and bury Henry Gale for example, but unless the writers come up with a compelling reason why that pertains to the predicaments in the present of Ben & UnLocke, it'd be little more than a novelty at this point.

What's more plausible is the fact that although we've witnessed the phrase "whatever happened happened" to be predominantly accurate, the writers have also made it clear what we see happen is not always what we think we see. In season one we saw Locke fall out of a building, and miraculously survive. It wasn't until the end of season five that we saw why he survived. There are many events we have witnessed which may have had other participants out of our periphery view. We've been told of Hurley's accident on the pier that allegedly killed 23 people. We have no idea who those people are because the show has never actually visited that incident visually. The writers could choose to do so now, if (and only if) it pertained directly to the current present of Ben & UnLocke.

The phrase which is obviously not accurate is "dead is dead" although one can argue it's very true, IF (and only if) Locke is very dead and what we've been seeing walking around in Locke's stead since the crash of Ajira 316 is 0% Locke. If that's the case, then yes dead is dead. So any and all characters who have died on the Island can and probably will return, but as agents of Blackie/Essau/UnLocke/WhateverHisNameIs or as agents of Jacob. In fact it's plenty plausible that all or some of our characters from Oceanic 815 are very much not really among the living.

One of my more fantastical theories is that most who crashed on Oceanic 815 did die, with the sole witness of Kate. She has admitted that she witnessed the entire crash, while others appear to have blacked out. It's possible that she knows who is real and who is not, which might explain some of her aberrant behavior in the earlier seasons. However, it wouldn't explain her love interests, unless she knew Sawyer & Jack were two people who are still normal.

We know that Jacob can bring people back to life. We've seen miraculous cures for disease and disability. We've witnessed instances when someone should have died but did not. These instances could easily be explained away if said individuals are already dead and are being kept alive by artificial, god-like means.

The easiest way to bring Dominic back would be to bring back Patchy. He waits until he witnesses Desmond return to the surface, then fishes Charlie out of the station and brings Charlie back to the Island. Patchy would then pump the water out of Charlie's lungs, wait for him to get his bearings and breath back, and explain to him that he couldn't die in the station, because he already died on the plane. Patchy would then reveal he's an agent of either Blackie or Jacob, and tell Charlie that now he is too.

Is Charlie still the Charlie that we have come to know? Yes and no. He's got self-awareness, but he's being manipulated. To what extent is unclear. We know that Locke has been getting messages from The Island, and was being manipulated, but he had to actually die (by suicide or murder) off the Island in order for Blackie to get to appear AS him. Why? We don't know. It may have to do with rules that Jacob & Blackie set for themselves when all this began, or rules that have been laid for them by whoever is pulling THEIR strings. Cuz there's always someone bigger.

Who is actually alive and who is actually (un)dead is a little murky. Hurley could very well already be dead. He may have died when the pier crashed, and either Jacob or Blackie revived him at an opportune moment, just as we witnessed Jacob revive Locke after his fall. Hurley experiences great luck that keeps him from dying, but people around him suffer the consequences. Hurley and Charlie both crossed a bridge that they really should not have been able to safely traverse, but Jack & Sayid were not able to cross it. They had to go around. This could be one circumstantial indication that Hurley & Charlie are already (un)dead, and are being kept alive by The Island. However, if Jack & Sayid are still very much alive, the writers wouldn't want them to cross that bridge. It may have shown their hand.

If all that I say is true, then it'd be very easy for the writers to bring back all of the characters we've witnessed die, in order to pose as agents of Jacob & Blackie wherever it might be strategically advantageous for them to do so. For example, Alex appeared before Ben in what was obviously a strategic move on Blackie's part to make Ben obey his wishes. Any characters who have died in previous seasons can come back in a similar manner, to impart messages to surviving Losties that came from either Jacob or Blackie.

We could even witness the return of Nikki & Paulo, IF it would be to the benefit of either Blackie or Jacob to do so. Personally, I'd rather see Arzt and Frogurt one last time, but Nikki was easy on the eyes, and Paulo was good for a laugh. We may see them all come back before the series is over. It's entirely plausible.