Thursday, July 16, 2009

Party Time Elusive, chapter one

Inside the alley in the late afternoon sun of a major metropolitan city sat a girl. She looked pale and frail and yet maintained a bit of fat around her mid section that was indicative of a woman who had only recently given birth. She sat hunched over breathing heavy and crying incessantly and aside from the distant sounds of cars and people and the hustle and bustle of the city, in this alley the only noticeable sound was her; breathing and wheezing and weeping. It had been like this for a short while, and it would be like this for awhile longer. She wore a conservative yet fashionable two piece outfit that seemed out of place on her in this alley. It also seemed a couple sizes too big, but it's what she had been wearing when they took her to the hospital, so its what she had to wear when they let her go. Her feet were bare, and now one of them was bleeding, but she hadn't noticed yet. She had the shoes when she started running, but took them off when she felt they slowed her down.

She sat there on the edge of the cement docking platform behind a practically abandoned warehouse. She didn't know that the warehouse was abandoned. She didn't know she was sitting on a dock. She barely had allowed it to register in her mind that she was sitting on cold dirty cement. She didn't know this was an alley. She didn't know other people would consider this a dangerous neighborhood. She didn't pay attention to the pigeons swooping down checking on the stinking garbage a few feet from her in the dumpster. She ignored the pain in her legs, the blood on her feet, and the emptiness in her gut. She had told them at the hospital there were people waiting for her, and when they wheeled her out of the hospital but didn't see the imagined friends she lied to them about, she stood up as best she could and she ran. It hurt. She was still weak and tender, but as she had done a thousand times before in her life, she pushed the pain away and did what she knew she had to do - the one thing in the world she was good at doing: get away.

That's when she found this alley, only a few blocks from the hospital. That's when she sat on the warehouse dock, unable to take another step without falling into the puddle. She had been there for awhile. The sun was still in the sky but it would be gone soon. With streaks of tears on her face and mucous coming out of her nose, she came to the numb understanding that she didn't know anything, other than the fact she had just lost the only creature in the entire world who would have unconditionally loved her.

They took away her baby.

She had signed the papers weeks before. She knew that much. She had been in total agreement that she was an unfit mother. Orphaned only four months after her birth, Elsie had only her initials to make a name. E. L. S. That's all she knew about the first four months of her life. She had been told her initials were on the linen and on the basket and monogrammed on her cloth diaper. The person who found her, a priest, noted more than once that he found it odd she was in cloth diapers. "People just don't use those as much anymore," he was fond of saying. She came from money. He made that clear. However, she'd never known a cent of it, and had a presumption that she never would.

She was cared for in an orphanage run by catholic nuns and the priest. She recalls seeing other orphans come and go but she'd always be left behind. She had many friends, and she tried to remember their names, but the only one that really stood out for her was Virginia. During their time together they were inseparable, like peas in a pod, the nuns would jest. Then, one day a couple wanted Virginia but they didn't want Elsie. They couldn't care for two. So Virginia went away and Elsie was alone again. No one wanted her, partly because strange things happened around her when a couple seemed interested. Unlucky things. Things she couldn't explain, but would keep her up at night, with tears streaking her cheeks, like they were now.

They took away her baby.

After the orphanage burned down, Elsie was carted about to different foster families but by law she wasn't allowed to stay in the same place for long, so she learned quickly not to build attachments to people. They would come and go and by the time she was fifteen she had accepted that saying goodbye was a natural part of life. She used the same false bravado for goodbyes as she did for hellos, ignoring how much it felt like breaking each time. Over time she developed a tough shallow exterior that was simultaneously welcoming and provocative without being too inviting. People loved being around her, but they didn't really miss her when she was gone. She liked it that way. She'd learned to prefer it that way. Then at the age of fifteen she learned she was pregnant: and they just took away her baby.

By then she'd fallen out of the foster family program. She slipped through the cracks. Although most foster families were very kind to her for many years, and the only reason why she'd move on was because the law required, in her situation, to stay with no particular foster family more than a few months. Well, that and the accidents. Strange things happened around her after awhile, and while all her previous foster parents had nothing but wonderful things to say about her, they wouldn't always have wonderful things to say about the time they spent with her. Strange luck.

Then there were the Courtneys. On the surface, to Child Protective Services, they were a middle aged, salt of the Earth couple. Around the time of Elsie's thirteenth birthday (even though she didn't know it was her birthday) she became a part of their family. When alone, they'd boss her around and shove her about and were all kinds of bitter and mean to her. When she threatened to complain to her social worker, they told her about Virginia.

They knew where Virginia was, and they knew she used to be friends with her. They told Elsie that if she didn't do what she was told, and if she didn't keep quiet, they would make sure Virginia never breathed again. She had no reason to doubt them. She never told them about Virginia. She couldn't understand how they knew about her.. unless they knew about the people who were there that night.. the night of the fire.. She did what they told her to do, and when they felt she was completely under her thumb, they started trying to get her to help them with their scheming. Oh, they were always scheming. Mostly small time con games and swindles. Never got caught. They were too good for getting caught. They taught her all kinds of things. Things she really didn't want to know. The Courtneys were a couple who could pretend in an instant to be kindhearted souls but deep down they were evil incarnate, and Elsie's gut churned to be so close to such utter despicable contempt for the human race. These two were leeches on society in a manner that was thankless and heartless. She was doomed to be her patsy, to protect Virginia. However, one night she awoke with a start to find that the two of them had been practically hovering over her bed like a couple vultures. She learned that night that the reason why they knew about Virginia was because they overheard Elsie talking in her sleep. They didn't really know where Virginia was. They had no way of harming her. So with that realization, Elsie ran from the Courtneys to the police, who of course didn't believe her, because one sweet conversation with Mrs. Courtney and the police learned that Elsie was just a troubled girl who caused all manner of hell to the Courtneys but they loved her and they wanted to take her home.

So she ran. And she kept running. For two years. She ran all up and down the eastern seaboard. She hitched rides in cars with strange men. She rode ferries and got on busses. She even stowed away on a commercial jet once but they found her and kicked her off. Sometimes she could pay. Usually tho she was just surviving the day, and she was ashamed to admit the Courtneys had taught her how to survive. They taught her how to use what she had to get what she needed, and how to leech off humanity like a blood tick. She hated herself, but people were always so friendly to her if she just turned on the charm. She developed a warm hard exterior that hid deep inside a cold soft broken heart.

Then she got in with a street gang, and fell in love with one of its leaders. Then she fell out of love with him and in love with a member of another street gang. She didn't know they were enemies at the time she fell in love with them. At the time, had someone pressed, she would have had difficulty explaining to you what a gang even is, and would probably rather attempt to explain to you how "it's more complicated than that. We're like family."

She found out she was pregnant. Then they found out. There was a question as to whose baby it was, and that led to an.. incident. She tried to fix it. Tried to get them to stop fighting, but it had become bigger than her now. They had always wanted to kill each her. They just used her as an excuse. So she ran.

She ended up in Bridgeborough. Again. Elsie had been in Bridgeborough New Jersey before. She didn't know why she'd been drawn to the city. Well, that wasn't entirely accurate. This was where the orphanage had been, and she had been told where the priest had found her. Although that orphanage was now long bulldozed and replaced with a shopping center. Still, she traveled far and wide the past eight years, but always ended up back where she had sort of started.

She learned from people in coffee shops and libraries and truck stops all along the east coast that if you were a girl 'in trouble' there were places in major metropolitan cities that could help a young gal out. Bridgeborough just happened to be the closest big city to her at the time she decided this was too big for her to handle alone. Elsie found it amusing that this particular kind of trouble could be easily discussed without ever actually using the words 'pregnant' or 'illegitimate' and if anyone ever asked her "where's the father?" she only had to give them a "you've got to be kidding me" look and that would end that. Truth of the matter was, she didn't know. There were a number of possibilities, but she'd quickly exhausted them as avenues for successful resolution to the problem. They all either didn't want anything to do with her, or wanted her to have an abortion. Or, in the case of her two primary suspects, the boys in the gangs, they were dead. While not averse to abortion as a choice for other women, she discovered early on it wasn't a choice she could make herself. She was carrying this baby to term, but she didn't want to keep it for life. Or so she thought.

Upon arrival to Bridgeborough, after waving the nice truck driver goodbye for dropping her off, she went to the first building that looked like it might have a doctor in it, and told them she was pregnant and had no money. That was pretty much all she said. She didn't even have to mention the orphan part. Somewhere around the ages of twelve and fourteen that word stopped illiciting from strangers any kind of sympathy. However, pregnant and poor made people even more sympathetic than ever, usually for only short periods of time.

The people in that doctor's office took pity on her, but as this was a veterinarian doctor, they couldn't help her directly. The receptionist there spoke with the doctor, who made a few calls, and less than a year later Elsie was in a hospital operating room with all kinds of equipment and doctors and nurses and strangers waiting outside the door. She had enjoyed the time from the vet's office to the operating room. She'd always been cared for and always had a place to sleep and someone would always make sure she had enough to eat, constantly reminding her she was eating for two now, but after the operation she somehow knew all that was going to go away. She dreaded that moment, but when it came she knew what she had to do: run.

Somebody else was paying for all of it and she'd signed papers, and she understood distantly that her payment for all this fuss was to give them her baby and she was completely okay with that. Then she saw her. She only got a glimpse. They wouldn't let her hold it. She doesn't even know what gender it is. They took it away. She was sixteen now, and a part of her was released into this world, into the hands of strangers, and she would never know anything. She would never even know the baby's name. This was oddly comical she thought, the tear streaks still on her face. Her body numb from the run but her breathing now returned to normal. She didn't even know her own name. Why should it make any difference that she doesn't know her child's name? It was all... somehow.. fitting. Yet she continued crying about it.

She did notice the limosine at the mouth of the alley, negotiating its way onto the small street like a young walrus negotiating its way onto dry land. It inched slowly towards her, partly because it was only inches on either side from debris and dumpsters and a lump of newspapers that might have had a dead homeless person under it, but also because it was almost as if the chauffeur inside were keenly aware this young girl was not unlike a startled fawn caught in headlights, and would run if spooked and startled.

When the limousine could move no closer to her without risking the paint job, it stopped. She looked at it with wide-eyes and a desire to run but a numbness in her legs that made it clear she wasn't going to be able to run this time. Not yet. Her legs were still in fine working order, but because of the way she sat and the stress she had put them under so soon after the delivery, they had decided to fall asleep. Her butt tingled in an uncomfortable way, and she began to have an inkling that something was wrong with one of her feet.

The chauffeur got out of the driver's side and attempted to walk around the front of the car. When that was blocked by a dumpster, the chauffeur cursed in a mumble and then crawled over the hot hood of the car, utilizing various F and S words wherever inappropriate. She then returned to an upright position on the other side and made her way to her employer's door, where she opened it. Elsie marveled at how despite her cursing and crawling, the dark-skinned lady chauffeur had managed to go about the ordeal in a very graceful and elegant manner. In fact, for a green uniform and snazzy cap, the woman belonging behind the wheel of the vehicle looked to Elsie like she should have been the one being driven.

The driver's employer however looked to Elsie more like he was playing the part, but didn't belong at all. He was a tall, thin, lanky man who unfolded himself out of the limo like a praying mantis climbing over a stalk of celery. The tuxedo he wore was plainly very expensive and fit him perfectly, yet it seemed as out of place as a poodle wearing a hoop skirt. He didn't have much hair on his head by choice, a full buzz cut that didn't show signs of receding. He wore horn rimmed glasses and a trite trim mustache that might have looked more at home on the face of a Latin lover. His skin was as pale as Elsie's but more gaunt and less healthy. His bow tie was red as were his shoes: sneakers. A full black tux with red sneakers. He smiled a toothy grin that made Elsie immediately want to punch him, and had she felt in better spirits, she would have.

In his hands, the gentlemen held two glasses of champagne. One of them was less full than the other.

"Ah. Thank you Daphne."

"Dagny!" the chauffeur corrected him.

"Yeah whatever." He looked at her and she at him, him expectantly and her annoyed, until it dawned on her that the only way he could move in this alley were if she went back the way she came and he followed. Elsie watched with amusement and disdain at the spectacle that then took place. Taking a full minute and a half at least, Dagny crawled back over the hood of the car, then took the two glasses of champagne from the gentleman in the tux. Then the young looking gentleman in the tux negotiated the hood of the car like a spry elderly man. Once back on his red sneakered feet, his tux only a bit crumpled, he took the two glasses of champagne back from Dagny and turned his spectacled eyes towards the only other lady in the alley.

"Whatever you're sellin' man. I ain't buyin." Elsie looked away, despite the fact she couldn't deny the spectacle had whetted her appetite for curiosity, and somehow she had a suspicion that he knew it. The entire display seemed to her fake - particularly him. As if this entire display was a show for her alone, and she wasn't sure if she was comfortable with that.

"Miss Seavers, allow me to introduce myself. I'm Sly Stephens, and I know this is the worst day of your life, but that's why I'm here. I want to change that." He now stood before her seated self, but because of the cement dry dock this still placed her easily a head taller than him. He extended the fuller glass of champange to her and took another sip from the one he'd obviously been imbibing from for awhile. "Dagny? I forgot the rest of the bottle. Can you be a dear and fish it out for me?"

Dagny cursed inappropriately and once again crawled the hood of the car to get to his compartment.

"You're not used to ordering people around are ya?" Elsie wiped a tear off a cheek and sneered at him. She didn't take the glass of champagne.

"I do it all the time."

"You suck at it." He offered the champagne again with a gentle gesture of the glass, but she didn't budge. He also didn't budge, and the crooked smile on his face made Elsie aware he would be able to stand there holding the glass of champagne for her for a good long while. She chose to test that theory by continuing to not take it, and he continued to stand there with a crooked smile, awkwardly hoping she would change her mind.

"Look," she said defiantly, despite the fact she was still obviously weeping, "I signed the papers. You have my baby. I don't want anything more from you people and believe me you don't want anything more from me cuz I got nothin'. I just wanna be left alone."

"With all due respect Miss Seavers, I'm not with them. I represent a ..a consortium of interested partners--"

"A what?"

"A consortium."

"Of for God's sake, Stanley!" Dagny stuck her head out of the back of the limousine, "You're a pig!" She stuck her head back into the limo but they could both still hear her shrieking clearly, "You been back her less than an hour and look at the mess you've made!"

The gentleman in red sneakers laughed nervously and then called back to Daphny, "Dearie the name is Sly. Mister Stephens to you Daphny."

"It's DAGNY!" the green-suited chauffeur reappeared out the back of the limo with a bottle of champagne. She closed the door with a slam and steeled herself for the hood of the car once again, "I'm not cleaning up back there. That's your mess you clean it up - and don't use big words like consortium on the gal. You and I both know she's been through hell and back - have some common deceny you pig!"

Elsie was keenly aware, having experienced hanging out with people used to being served and serviced by other people, that such insolence would normally be handled by immediate expulsion, or at least a fevered taunt and a dock in pay. However, Stanley's response was to look back and forth between the two ladies and laugh nervously, still offering the full glass of champagne to Elsie.

"Alright, not a consortium. Think of them as ..a party. You like parties Ms. Seavers, I know that."

"You don't know me. My name ain't Seavers. It's Elsie."

"Your name is Miss Elaine Lucille Seavers," began Stanley as if he were reciting from a file by memory, and still holding the glass of champagne for her. He took a brief sip from his own. "You were born right here in Bridgeborough New Jersey sixteen years two weeks and three days ago. In that same hospital coincidently enough from which you ran only a few hours ago. Not the same room though. Wouldn't that have been interesting though had that been the case? Your mother was Valerie Witcher, the daughter of a curious man and a celebrity of his time among the likes of The Amazing Randi and Harry Houdini."

"You're saying I'm Bewitcher's granddaughter?" Elsie

"Oh so you do know him?" He asked as if he already knew the answer. Stanley still held the glass aloft before Elsie and she she still declined.

"Yeah pull the other one. He was a debunker back in the seventies and eighties. Told people there was no such thing as magic. Then he saved the world a couple times using magic but later insisted those were just spectacles he'd staged to sell his books."

"Then he disappeared."

"Yeah so how convenient for you that you can claim he's related to me. I can't doublecheck that cuz he's dead."

"Not dead. Disappeared."

"So you say. He's been gone like twenty years and his daughter was my mom?"

"More importantly your father was Jonathan Seavers, then assistant district attorney who'd had a bit of a disagreement with the Vizzinis. They had both your parents killed, and you were to be killed too, but curiously enough you ended up on the doorstep of St. Michael's cathedral, where they clergy took you in and cared for you until the age of eight. The rest of the story you already know."

"I gotta say you do your homework. Now if you'll excuse me I had this alley first and I got some more crying I gotta do before the sun sets and I go find a corner to crawl in."

"You're not going to do that."

"I'm not?"

"No. You're going to come with me."

"I most certainly am not. I just spent the last six months with you people-"

"I'm not with the people you just left-"

"Your KIND of people! The people who got more money than brains and you use it to buy off flesh from folks like me and then you leave them on the curb like garbage."

"They didn't leave you."

Stanley spinned his head back at Dagny and hissed at her. Dagny rolled her eyes in response.

"What did you say?" Elsie tried to sound like a regal tiger ready to pounce but it came out more like a wounded lion with a limp paw.

"You ran away from them."

"Dagny!"

"Can it Stan."

"It's Sly!"

Still standing in front of the limo, Dagny ignored him and looked at Elsie. "You ran away but they had plans for you. They weren't necessarily plans you would have liked. They were gonna try to find you a job and a place to live and that kinda stuff. But you ran. And you end up ekeing out a life on your own for the next several years but it's gonna be a rough ride until you're twenty-three when-"

"Dagny so help me God if you don't shut up I will-"

"You'll do what Stan?"

He changed his tactic from a faux authoritative shout echoing the alley walls to a plaintive faux whisper that he hoped Elsie wouldn't hear but knew she would, "she's not supposed to know any of this you're ruining everything."

"Sly I love you, you know that. Otherwise I wouldn't put up with your shit. But we both read her file. This, none of this is gonna work on her. The only thing that works on Elusive is the truth. That's always been true and you know it."

Sly looked down, defeated. "I just thought I'd try something different this time." His arm still remained aloft before Elsie, holding the glass of champagne.

"Yeah well you're wrong and you suck but I still love you. We all do." Dagny took off the green cap and Elsie marveled at how her blonde hair fell out of the hat and onto her shoulders. Dagny was beautiful. Elsie was distantly disturbed by the fact her heart actually skipped a beat at the sight of Dagny loosening her appearance. Dagny unbuttoned the top button of her green uniform self-consciously, as if she were aware of her affect on Elsie. She stepped forward and took the glass of champagne out of Sly's hands as Sly took a step back and looked up, still smiling.

Now it was Dagny holding the glass before Elsie, and Elsie found herself tentatively reaching for it, but she still didn't take it.

"What Stan's trying to say.. Elsie is it? You still call yourself Elsie right?" No response. "Stan's telling you stuff you're gonna find out on your own eventually anyway, but we're here to speed up the process a little, and make the next few years easier on you than it was before."

"Before what?"

"We're time travelers!" Stan said with renewed exuberance. Now it was Dagny hissing back at him but he was nonplussed.

"Stanley!"

"Well you said yourself we should be honest with her. That only the truth works on Elusive. You saw it yourself. It's in the file."

"But she never believes this part!"

"Believes what part?"

"I know, Daphne-"

"Dagny!"

"Whatever. I know she never believes us so I thought we'd try something new but if you wanna go back to the same tired truth tactic then that's fine with me!"

The two of them continued to argue and Elsie started working it out. From the moment they drove into the alley with the limo, this entire fiasco was a staged spectacle. One they had done before. The two of them were performing lines as if they were reading off cue cards on a Saturday Night Live skit.

But this was crazy. Were they actually time travelers? Were they making up stuff about her past and future or did they honestly know things about her that would make her future easier? She absent-mindedly took the glass of champagne from Dagny's lips just before Dagny walked away to get into a more fevered argument with Sly Stephens but she wasn't listening to what they were saying anymore, rather how they were saying it. It was a performance by two bad actors orchestrated merely for her amusement. That was plainly true to her in ways she couldn't completely describe.

She took a sip of the champagne. It was actually very good. Her favorite, in fact. She recognized the taste.

What perhaps clinched it for her was the two of them were obviously familiar with one another and yet both insisted on getting each other's names wrong, as if they were pretending to not have a familiarity. This was not an employer employee relationship. These were two friends, or rather two strangers who had recently become friends due to some predisposed similarity they'd discovered. The one thing they both had in common was that they knew Elsie better than she knew herself.

She stood up, suddenly finding herself strangely comfortable with these two as if she'd known them before too, although that couldn't possibly be. Elsie's legs were wobbly and her butt still tingled, but she managed to stay upright. She took the stairs down the platform cautiously, still sipping from the champagne. Stanley and Dagny were now in a fevered discussion, citing previous times this had been attempted by other people, and how many times they had succeeded and failed. Also citing events in their past and Elsie's future that proved or disproved each other's suppositions. Elsie wasn't bothering to remember details.

..they were fans! How she didn't quite understand but if they knew her future then they had studied it. She made her way to the back of the limousine, fully expecting it to be a pig sty as Daphy had described, but found it to be pristine, immaculate, filled and stocked with either things she already knew she liked like green M&Ms, another bottle of her favorite brand of champagne chilling on ice, freshly chilled sushi inside a quaint little icebox, and a CD of the music group Beholden. There were also things she didn't know she liked but had a sinking suspicion she was gonna find out she did, like peanut brittle and black licorice. Elsie smiled to herself. Even Daphny's description of the back of the limo was staged. Stanley wasn't a pig. They were both fans of her work. Work she hadn't done yet. They knew exactly what would interest her better than she knew herself: they invented a mystery. She liked solving mysteries. It's often what would get her from one place to another. Mystery. Maybe that's what happens to her when she's twenty-three. The thing Stan told Daphne not to tell her: that she becomes a detective.

She waited paitently inside the limo for the heated discussion to die down to a curious silence outside. She had been swirling a black whip of licorice in the air for her own amusement. She never realized before but yeah she likes black licorice. She took another bite from one and looked over at the still open door. Daphny and Stanley both peered into the limo at her, shocked that she was inside.

Elsie looked at them both in a way that was new to her but that they'd seen her do before but always on vids or in pictures. Never to them. Elsie pointed at Dagny with her licorice. "Your real name is Daphny but you want me to call you Dagny." She then pointed at Sly. "Your real name is Stanley but you want me to call you Sly, right?" They both nodded. "Are there others like you? And you all do that?"

"Some of us do," Dagny looked embarrassed.

Sly was far less embarrassed about it but probably should have been, "It's kind of in honor of you. You go by Elsie right now, but your real first name is Elaine, and in the future the world knows you as Elusive."

She thought to herself a moment. "That... that's actually kinda cool!" She took a sip of champagne, and marveled at how champagne and licorice really don't go together in a way that she really liked.

Sly continued, "of course our telling you this kinda changes history. We don't know what happens from here on out this time."

"Yeah I'm not a scientist. You're talking over my head, Sly. Get in! Where we going?"

They both smiled at her and closed the door. Then Sly climbed into the passenger side up front and Dagny took her place behind the wheel.

"First," Sly said as he strapped himself in, "We have to make a few stops along the way to the hotel we have purchased for you."

"Hotel room you mean?"

"Nope," Dagny smiled at Elsie with the rear view mirror and Elsie smiled back. "We bought a hotel, just a few blocks from here."

"Dagny I hope you don't take this the wrong way.." Elsie noticed Dagny and Sly share glances, "but in the future do I find out that I'm a bisexual?"

"Yes ma'am." Dagny smiled again in the rear view mirror.

Sly groaned unhappily, "She never picks me."

"That's cuz you wear that stupid tux every time."

"Then you're gonna buy me a drink Dagny when we get to the hotel."

"Yes ma'am!"

"And Sly you're gonna change into whatever you normally wear and I'll let you try again. Keep the sneakers tho. I like the sneakers."

"See!? I told you!"

"So you got the sneakers right," she said to Sly. Then she turned her attention back to her idol, "but we're going to take it slow ma'am, because of your condition and the fact in the original time line you didn't know you were bi for a couple years yet."

"I think I always kinda knew."

"And because of your present condition."

"What's wrong with my condition?"

"You just had a baby, ma'am."

"Oh. Well. I'll manage."

"I'll be gentle. No pressure, ma'am."

"And stop calling me ma'am."

"Yes.. Elsie?" she looked into the rear view mirror quizzically and Elsie smiled back. She liked smiling at this one. It was going to be a fun evening, she hoped.

"That'll do for now. Not sure if I like Elusive. Sounds pretentious."

"You're very pretentious in the future, Elsie." Sly laughed nervously, "It's a part of your charm."

"Yeah well I ain't there yet." Elsie looked out the window and noticed Dagny taking a left onto a boulevard where her old friend the priest was. After the orphanage and cathedral burned down, he went into a decline for many years but last Elsie heard he was working at a homeless shelter not too far from what had been the orphanage but was now a shopping center. "Where to first?"

"You like hats, ma'am," Dagny had negotiated their way out of the mouth of the alley and was now on the road.

"How do you know I like hats?"

Dagny cleared her throat, now obviously even more self-conscious than before. "Because there's one hat in particular that Father McKenzie has which is yours but he doesn't give it to you for a few years. You're going to go in there now and ask for it. We'll wait outside."

"Why do I need the hat?"

"Because your fans want to see you with your hat," Sly said.

"You mean there's more of you future people than just you two?"

"Why do you think we reserved an entire hotel?"

"...Wow."

Wednesday, July 15, 2009

Lost Rewatch Season One

I've been watching episodes of Lost again with some fellow fans via Twitter. We get together on Monday, Wednesday, and Friday evenings at 8pm CST. By the way, if you want to join us, you can learn more by getting in touch with @LOST_WFTB or @BatchOutLost or just do a search for hashtag #WFTB. You can also wade through the #LOST hashtag but that one's much more murky. There's other groups doing Lost Rewatches. For example, LOSTaholics is a group writing detailed essays and having regular podcasts where they discuss the mythology of the series. I'm not currently affiliated with that one. The way it works on Twitter is we all get together at the same time and whether one has access to lost.abc.com or uses the DVDs or a torrent or videotape, we all start a preselected episode at the same time and the intent is to watch previous seasons again with season five eyes. Knowing what we know thus far, it's interesting to re-experience the series to try to catch things we missed, or maybe see inconsistencies. It's also just nice to revisit these characters and their stories again. Lost is a series that gets better with repeated viewings, because the producers of the series purposefully weave the story in such a way that you can't help but miss things the first time, or the second or third time through, things that seemed inconsequential at the time suddenly take on new meaning. When the audience members perspective has changed, it's like the show itself changes.

By the way this should only be read by people who have already seen the series up to the end of season five. This would be very spoilery for people who haven't already seen the show. You have been warned.

There's a number of interesting things I've noticed while doing this. My opinions of the main characters have changed very dramatically. When I first watched season one, I saw Jack Shepherd naturally as the hero figure, but now he's just creepy to me. A desperate man who does not see himself as a hero. In the opening scenes of the pilot episode when Jack is saving people, he originally seemed to be like the noble First Responder who behaves altruistically and makes saving lives look as graceful as a dancer doing ballet. Now when I look at this scene, I see that he's still trying to win the approval of his father. He's driven for success and fears failure. He's not saving these people for their sake but for his own. This is made most apparent when Jack fails to write personal vows for his wedding to Sarah, but he admits to her in front of God and everybody that when he saved her legs, she saved him. She sees him as a hero but he sees her as a success. Then later when Sarah leaves him, it's not because anyone was unfaithful. It's because she has learned Jack needs to fix people and things. She doesn't need fixing anymore so he doesn't pay enough attention to her.

Locke has always been cryptic, but when I first watched season one I thought he was a man who had learned from the mistakes in his past and had risen above them, so thaat on the Island he could truly become the warrior and hunter that he's always wanted to be. However, as more of his back story is revealed, we see that he's really a broken man in more ways than one, who is easily manipulated. He has an emptiness deep inside because of a lack of a father figure, and that void can be filled by anything. He's willing to believe because he must fill that void with something outside himself, otherwise he doesn't feel whole. He's constantly trying to understand "The Island" and is frustrated when he does what he thinks The Island wants him to do, but things fall apart again and again.

Both Locke and Jack have one thing in common: there is a tragic flaw inside them, and they never learn an important lesson. For Locke it's filling that emptiness with faith. He has to believe in something but he fails to verify what he believes with facts and logic. This endlessly frustrated Jack, who can't accept anything without involving the scientific process.

For Jack its fixing things. He has to succeed. He fears failure. In season five it appeared he began to learn that lesson, but Sawyer calls him on it when he says Jack never stopped to think when he was leader. He just would do. He would fix. Sawyer prefers to observe and process events and then makes informed decisions. Of course, his approach didn't really have a better effect. He ended up in custody with Juliet and was in the end forced to make rash decisions for survival, just like Jack.

So for both Jack and Locke, I used to see them as heroes but now I see them as broken men, and sometimes even villains. Of course, with Sawyer it's exactly the opposite. When we first meet Sawyer in season one, we assume he's a bad guy. The man's a selfish, conniving, murdering con man who makes no apologies for his behavior beyond that of a letter he wrote as a child to the man who was the cause of his parents' deaths. We later learn that man was Anthony Cooper, the same man who fathered John Locke, then decades later conned Locke out of his own kidney. Later in the series Locke and Sawyer join forces and end Cooper's life in what's one of the more ingenious and insidious scenes of the entire series.

Whereas Jack and Locke appear to want to be loved, Sawyer wants to be hated. He knows what he's done all his life has no excuses, but he doesn't care. He doesn't want to change his behavior because he is so filled with anger and bloodlust for vengeance. So he pushes people away, but Kate finds herself drawn to him and learns his secrets and the lies he tells himself. Over time Sawyer simmers down and cools off. So I now see Sawyer in a more forgiving light, knowing where his character arc is going. Seeing him in the first season is like seeing lumps of coal and knowing with great pressure it could one day become a diamond.

Kate was in my opinion beautiful in season one, and of course Evangeline Lily is no less beautiful now, but the character has become much darker and less appealing. I think the writers want us to see her as neither a hero nor a villain, but as a fugitive. She's constantly on the run. If all these characters have tragic flaws, Kate's problem is she can't seem to just stop. She doesn't like being cornered. She doesn't like feeling trapped. She's constantly trying to think ahead in order to anticipate possible avenues of escape in case doors start closing. This informs many of her actions until season four when she stops dead in her tracks to make a home for Aaron, and even then, it doesn't take much for Ben to push her out of that role and on the run again, running back to the Island to find Claire.

Getting back to Locke, now that we know (from season five eyes) that Jacob's nemesis (I prefer to call him Blackie but some call him Essau - we don't know his name yet) is pretending to be Locke in season five. So it's interesting to watch Locke in season one, searching for signs that maybe Jacob's nemesis has been posing as Locke longer than we thought. However, I haven't seen any evidence of that. What I do see is a man who had been crippled, but is now physically whole after a plane crash that should by all rights have killed him. So now, Locke naturally feels he owes the Island something. He has filled that emptiness inside him with a faith in The Island. He believes the Island is speaking to him, and we see evidence that he's gleaning information that he wouldn't otherwise know. He seems in tune with the Island and its wildlife. He knows more about boars for example than one would get by just reading about them in Wikipedia. He can also tell when the weather on The Island is changing. He gets dreams and visions and clues from happenstance that indicate to both the character and the viewer that something more than coincidence is going on here.

Personally I think what might be happening is that John Locke, while not possessed yet by Blackie entirely, may somehow have an almost empathic or even telepathic connection with either Jacob or his nemesis. This might explain why he knows things he couldn't possibly know. Locke also seems to heal quickly, and when Shannon shot him late in season one he insisted it was just a graze. However, it was a graze that knocked him to the ground. So like we later see Michael upon his return to the Island in season four, Locke may have a form of temporal invulnerability. Desmond learned from Mrs. Hawking in Flashes Before Your Eyes that time has a way of course correcting. If something is supposed to happen, time will make sure it does. It's my theory that John Locke can't die, because time insists he has to be somewhen in the future, alive, and he may still be destined to live.

At the start of season six, now that John Locke's body is out of the box, the Island might be able to reanimate it. Jacob's nemesis, the one posing as Locke, may find that suddenly his disguise disappears because John Locke's body comes back to life. Crazier things have happened on this show. I guess we'll just have to wait until January to find out. Those of us on the Live Tweet up for Lost Watch From The Beginning are currently going through season two. I might leave some random notes here when we finish. Although I just learned some schedule changes at work may cause me to start missing them. I hope that's not the case, but work has priority over play.

Monday, July 13, 2009

Legalize it? Really? You're kidding.

Greetings to the world at large, once again I come before you with a worthless rant that will get you a cup of coffee at Starbucks some time after Stephen Hawking discovers the light switch inside a black hole.

Allow me to preface this rant by saying I am not a drug user. I quit smoking cigarettes six years ago and I only smoked weed twice back in my college days. Didn't enjoy it. I don't honestly get what the big deal is. I don't own a bong. I don't know how to make a bong out of anything. Although I've witnessed other people do that and that is awesome. Marijuana users are very resourceful. If you sit still long enough around them they might turn you into a bong. It's kinda creepy now that I think about it. Ah, the parties of my youth. Good times.

It is not because I believe there's something wrong with drugs. I don't. It's because one, they are slightly illegal at the moment. Two, I can't afford them. And three, my brain's pretty fucked up already without any help from foreign chemicals invading my bloodstream. However, I consider drug usage as a form of body manipulation. It's not against the law for an informed adult to get a piercing or a tattoo, so it shouldn't be against the law to send your consciousness to Mars and back for the day, so long as you pay the fare your own self.

That is of course where my idealism breaks down. I mean if I got a tattoo with my ex-wife's name, and I wanna get married again, and my fiance wants me to get rid of the tattoo, I don't go to the government and ask them to pay for it. However, if I am addicted to drugs and I can't afford to take care of it myself, I have read there are currently processes in place that'd help me rehabilitate and those processes are sometimes paid for by the government.

Now let's avoid the argument of lumping all drugs together. I'm going to dismiss cocaine and heroin and acid outright, or at the very least reserve them for another rant that may never come. I'm sure others find them therapeutic. I might agree with straight LSD under very controlled conditions but acid? Laced with strychnine? Let's just skip that. That stuff ain't gonna become illegal.

However, marijuana becoming legal, while President Obama laughs at the notion openly, is not completely out of the question, which is why I'm ranting.. or rambling. California is under financial duress. Heck, all of America is. California has been wrestling for decades with the issue of marijuana. A lot of people there want weed to be legal, and a lot of people there don't. However, like in most of America, if you really want cannabis, there's a way to get it. The law only keeps people like me from partaking, and I'm very much in the minority. In California it's easier, because although federal law is the same across the country, in the state of California they've invented a loophole - marijuana for medicinal purposes is acceptable. So all you gotta do is find the right doctor.

We like to believe we live in a free society but the fact of the matter is our freedoms are bought and paid for every day by corporate monolithic monsters that I like to believe the book of Revelations refers to as The Beast. Not because I necessarily believe in the modern day evangelical interpretation of the New Testament, but because I find it amusingly poetic. The corporate beast owns our souls, and the corporate beast wants us to coexist together in a lulled state of illusion where we think we are free to do anything but we are really only free to do anything that will allow us to still show up at work on time and operate heavy machinery when needed. So, why is alcohol still legal? Well, have you ever had a vodka martini at three in the afternoon? Corporate beasts really like to drink their vodka martinis at three in the afternoon.

When push comes to shove you can sober up if necessary. Not to operate a forklift maybe, but a breath mint and a glass of water and you're right as rain. However, if you've been getting high? That's a slightly different story. You might think you're fooling us straight and narrow types? But your eyes are bloodshot, you just laughed at the fern in the corner, and you smell like a Cheech and Chong Marathon.

People are thinking we need to legalize marijuana. My gut instinct is to agree. Legalize it. Let the government, in conjunction with the corporate beasties out there, regulate it. Tax the shit out of it. Our current economic recession/depression would be solved overnight, on a federal level at least.

However, let's imagine for a moment that you're a drug seller. You don't have to admit it. This is just hypothetical. A friend of mine explained this to me and I found it an interesting psychological conundrum. You've been selling for years. You don't sell to get rich. You know a guy who knows a guy and you make it available to your friends at a reasonable price. Maybe you don't even make any profit but if you're smart you make a tidy one. You believe drugs should be freely available but they shouldn't be free, and why not make enough money on the side to maybe cover your cable bill? What would happen if suddenly all your friends who come to you for marijuana were suddenly able to go down to the local convenience store? Maybe the price at Seven Eleven is more than it was with you, but there it's legal. There it even comes prepackaged and in a cute little box that a thousand marketing dudes figured out was going to please the buyers more than the cellophane bags you've been using. And though marijuana might become legal, it still won't be legal for you to sell it. The corporate beast will see to that. Why would they want your competition, when they already own the infrastructure to sell products to people, and they already control the government that makes the rules determining who can sell how to whom?

You will not be able to compete with the corporate beast if it gets its hands on your business. Suddenly you won't be able to pay your cable bill. Will this happen overnight? Depends on how soon the corprate beast realizes it's been letting you make money that it could have been making all this time.

This could be the worst thing that's ever happened to the people who have been selling all this time. It won't be illegal to sell marijuana, so major companies will partake. It won't be illegal anymore to carry marijuana, so buyers will no longer need a black market to help them keep the transaction quiet. And will this be grandfathered? Would all the people currently in jail because they broke the laws on the books at the time be allowed free? Won't they be pissed? They get out and see their livlihoods of selling drugs are in the hands of Krogers and Walmart. If you ask for a job from these corporate beasts, you won't be able to put "have illegally sold weed for years" on your resume. For the people who have been doing this illegally all this time, the idea of legalizing it is the worst thing that could possibly happen to them. You'd probably be better off being arrested and thrown in jail. At least then you get free room and board.

You still want to legalize it? Really? You're kidding.

Prismism

What follows is actually the "copy" I wrote for myself prior to recording a YouTube video in response to this video that John of VlogBrothers made for his brother Hank. What he said got me thinkin' and I also wanted to make a video that would bury my stupid Michael Jackson enough is enough video. I wrote my copy and posted it here because I wanted to make the video without my glasses on. So I increased the font in my web browser so I could read the copy without glasses. Admittedly, in hindsight it really didn't matter cuz both John and Hank wear their glasses but somehow they're able to avoid glare. My glasses seem to reflect the computer screen when I make a video wearing them. Anyway. I digress. I'm uploading the video response I made as I type this otherwise I'd leave a direct link. I don't know what it is yet but will add it seruptitiously after I'm done typing this probably. If I forget to do that, you can go to www.youtube.com/zachsmind and look for the video I left on this date.

Don't forget to be awesome. Without further adoo-doo, here's what I wrote.

Hi John Hi Hank and hi Nerdfighters it's Monday July 13th 2009 and it's very late. Or early. Depending on how you look at it. Why am I still up watching YouTube videos? I dunno. I dunno if I'm a nerdfighter. I guess I'm at least a nerdfighter watcher. We all have to start somewhere.

In response to John's video On Iran, Islam, and Amazingly Stupid Comments, I was like ..Wow. That was cool, man. I don't agree with every syllable but I hear ya when you say you feel more akin to some liberal muslims than you do conservative Christians. I look at American Christians today and I don't recognize the religion of my childhood. Everything from Chuck Norris to Sarah Palin's got me seriously reconsidering my theological choices.

Until very recently I used to consider myself a Christian. I think I still am. Asked Jesus Christ into my heart at the age of eight. Sounded like a good idea at the time. The Sunday school teacher's pitch was hard to deny. Eternal salvation and a piece of candy. I was sold.

I've had a few decades of studying history and observing current events. Watching history unfold before me, and I've come to the conclusion that whenever there's violence between men, someone's religion often seems to be a factor. Maybe it's not THE direct factor, but like rooting for sports teams, both sides always think their one and only true god is on their side. And if a god takes sides, how does anyone know?

Christianity. Judaism. Islam. Hinduism. Buddism. Zorastrian Whatchamacallit. Paganism. Deism. Atheism. I got a new ism. Prismism. Every human being's a prism. We think we're seeing the light for what it is, but we all got filters and the light of reality goes in us and through us and out it comes and you get spaghetti. or a Picaso painting. Or a man who thinks god wants him to kill. That it's okay to kill cuz god says so.

I'm reminded of the words of Groucho Marx who once said he didn't want to join any club that would accept the likes of him as a member. I think any god that would accept mankind at face value, considering what we do to one another in God's name? I gotta question that.

But that's me. That's not you. If anything's consistent among Mankind it's that each person has their own religion. They each think they share religion but when one finds oneself on the outside looking in, after being part of the illusion that there's one true god? Wow. Mankind to the concept of Diety is like three blind men holding different parts of an elephant and none of them guessing right as to what it really is.

Religion is like a gun. It doesn't do bad or good by itself, but men have done bad or good things with it. I personally don't like having a gun in my presence, cuz a gun in my presence increases the chances I might get shot, as opposed to the odds of getting shot by a gun if a gun is not within gunshot of my face. I'm beginning to have a similar opinion about religion, but that's just me. Others can carry around guns and religions all they like. Just don't point them my way.

Oh, and in the argument regarding pirates and ninjas?

Arrrrr matey!

Saturday, July 11, 2009

Lost Time Sickness

Yes I'm painfully aware that much of what I'm now spouting here in my blog about the ABC TV series Lost may become out of date - in fact completely and totally wrong come January when Season Six kicks in. However, after watching the last five seasons I think I'm piecing together what we've been shown, and I've come to a number of conclusions. Chiefly among them? Danielle Rousseau might have been right. There is a sickness among people on the Island. However, not quite the way she had anticipated.

Why did she think there was a sickness? Well, she tells Sayid (and by proxy us) in season one episode nine "Solitary." Then, we get to actually see the events happen before Jin in season five episode five "This Place Is Death." What happened? Well, Danielle Rousseau is separated from the rest of her research team members. They go into the catacombs underneath the island that lead to the temple. When they come out, they all immediately try to kill her. She responds in self defense and kills them before they can kill her. We see no indications any of them hate her prior to their disappearance into the catacombs. In fact one of them was her betrothed. These events drive her crazy. She's left alone on the Island.

Ben later comes along and literally steals Danielle's baby Alex from her crib. We see this in the fifth season twelfth episode titled Dead Is Dead. He had been ordered to kill the baby by Charles Widmore. Ben opted instead to take the child and raise her as his own, with a warning to Danielle never to seek her daughter under penalty of death. Not the best of compromises, and this not only secures animosity between Ben and Charles but more importantly for our purposes here, it further drives Danielle into insanity. However, her brand of insanity doesn't match the insanity her copatriots from the research vessel exhibited. They tried to kill her. No warning. No explanation. They just turned on her and she fought back out of instinct more than anything else. Now, why would they do this if they weren't sick? Why would they try to kill her if they weren't crazy? We're not told what happened to her research team to turn them on her.

Again, we're not privy to what happened to her team during their disappearance, but we can speculate. What if somehow they were given a glimpse into their futures, and were made to understand in simple terms that they were fated to die at the hands of Danielle Rousseau? They'd be exposed to the events of their fate and made to believe them real. From their perspective this would be ludicrous, and yet it's true. They would be unable to deny what they were shown. With this knowledge they would return to the surface with every intention of taking out Danielle before she could take them out. So they go up with some quickly formulated plan. This plan fails and she kills them. What is not made known to them at the time they are told about their fate is the fact that what they were shown would be the events that would play out after they were told she'd kill them. Essentially, their change of behavior towards her caused her to become defensive and fight back, which led to their deaths. It would be a case of self-fulfilling prophecy.

They chose to try to change their fate, but the very fact they make that choice seals their fate.

Similarly, the events that lead Sayid to Ajira flight 316 are myriad and too complicated for me to explain here, but ultimately when he is faced with young Benjamin Linus in the late 1970s, and he is given an opportunity to murder the man who would be responsible for so much pain and suffering in Sayid's more recent past (and young Ben's future), he makes the choice to murder young Ben in cold blood. Indeed, he's been working towards this his entire life. The events of his life had molded and shaped him into being a cold blooded murderer. It is a choice that he makes, but the choice is essentially the only logical choice given his state of being at the time. In fact, the audience would have difficulty NOT understanding why he did it, whether an audience member can condone the action or not. It certainly makes sense, like killing Hitler when he was but a janitor.

However, many argue that it is Sayid's act of vengeance to a young Ben that turns Ben evil. Failing to convince Jack to save him, Sawyer and Kate take young Ben to Richard Alpert, who does the one thing he knows to do in order to save young Ben's life: he takes him down into the catacombs that lead to the temple. Richard cautions Kate and Sawyer that Ben will be forever changed from then on. He will irrevocably become one of Richard's people. Years later we know from the episode Man Behind The Curtain (s3e20) that Ben works with the "Hostiles" or "Others" to purge the island of the DHARMA Initiative. He even kills his own father. Sounds very much like the behavior of Danielle's friends after their return from the catacombs under the island that lead to the temple. However, Ben's plans were more complicated and took years to complete.

Ben's also given multiple indications that he can predict the future. At least up to a point. In season five there's a moment where he admits that for the first time in a long time he honestly doesn't know what's going to happen next. Now, whether we can believe him or not is difficult to determine, since we've witnessed Ben lie about every other sentence. However, his behavior since his return to the Island has been that of an outsider. If he does know more than he's letting on, he's uncharacteristically good at hiding it. He's manipulative, and good at lying, but before now his actions would often betray his lies.

In season five he no longer knows the future. So whatever happened to him in the temple as a child seems to have only affected him up to a point. We've also witnessed him glean information from extensive files made for him by Patchy and others about most if not all the inhabitants of the Island. In the episode Confirmed Dead (S4E2) Ben is able to recite information about Charlotte Lewis having never met her before as if he were reading her obituary stamped on her own forehead. He must have read her bio long before and committed it to memory. If he could do similar feats with all the inhabitants of the Island, it would explain how he's been so skillful at manipulating everyone: he knows their weaknesses.

This would also mean he knew about Locke's missing a kidney. So if he actually had wanted to kill Locke, why would he aim almost point blank at the one place where it would do the least damage? Perhaps because he didn't want to kill him, but he did want someone to believe he was trying. Could Ben even be manipulating Jacob and his nemesis? Just who isn't Ben trying to trick?

But again I digress. The sickness. What is it? What causes it? Well, to understand that, we have to understand time. And time is difficult to understand. It's like trying to explain to a square what it's like to be a cube. Having never been three dimensional, the square would not have any frame of reference from which to understand. If a sentient cube were to appear before a sentient square, and try to explain that life is more than just two dimensions, the square would no doubt be changed forever, and perhaps not for the better. A square in a cubical world would be a fish out of water, unable to interact properly with its surroundings, yet unable to deny that its perspective of reality had been changed forever. This is known as The Flatland Phenomenon and Carl Sagan makes an interesting and successful attempt at explaining it in that link.

Now imagine if you will that you're in that square's predicament, but you are not a square. You are a cube. You are a sentient three dimensional, temporally linear being, and you are touched by a sentient being who is four dimensional. You are exposed briefly to the reality that there are more than three dimensions. Like the square facing a cube, your life is changed forever. You may not be able to comprehend the full implications of what this means. For a brief instant, you witness your own existence from birth to death outside of a linear framework. You witness for an instant your entire life and how your life interacts with that of others also trapped in a linear three dimensional existence. Then you come back to your three dimensional senses, like a completed cake being forced back into the cake mix box.

I believe this is the sickness. I believe that many - if not all of the major characters on the television series Lost are three dimensional beings who in various ways have been exposed to a fourth dimensional existence. This has affected some characters indirectly, and others are more directly affected. I can start with the easiest among them first. Charlotte Lewis was getting nosebleeds and brain hemmoraging from the time hops that she and the others were going through. However it seemed to have affected her worse than the others. She was more susceptible. Some theorized that was because she was already on the Island as a child but Miles was too and he didn't die from temporal exposure. As I said, it affects different people in different ways, and in Charlotte's case: This Place Is Death (s5e5).

The nosebleeds also affected Miles, Juliet, Faraday, Jin, and Sawyer. Each to lessening degrees of severity. I am speculating that time hops are dangerous for three dimensional linear beings. Not only are they traveling through time but also space. The Island itself is moving, as is the Earth itself which constantly rotates and revolves around the sun, which moves relative to the rest of the galaxy, which is constantly expanding. The time hops that were happening to these characters in season five are not occurrences that third dimensional beings were even remotely designed (or evolved depending on your beliefs) to experience.

However, because these characters were exposed to time travel in their adult lives, it's very possible that such exposure could have affected their entire existence as linear three dimensional beings. This could explain for example how Miles is able to glean information from dead bodies. He's able to tap into their fates, similarly to how the smoke monster makes one able to witness events of their life to characters like Ben, Eko, or Locke. Miles has a similar capability inherent inside him. He's not able to witness the entirety of time, but he can get occasional glimpses under specific circumstances, probably because of his exposure at any point in his life to temporal anomalies. Though his life is linear, temporal anomalies can affect a three dimensional linear being at any and all points across its past present and future.

Another example of this "side effect" behavior in response to temporally anomalous stimuli can be seen in Hugo Reyes aka Hurley. Throughout his life he appears to have been exceptionally lucky. He survived an accident that killed twenty-three people around him. He blamed himself for the event because of his weight, but it's equally possible that what happened to him was an act of distorted probability. Because Hurley has had exposure to a temporal anomaly at some point in his future, any possibility along his linear existence that might have killed him cannot successfully kill him now, because he is meant to exist perpetually on his linear axis for the duration that the temporal anomaly dictates. So if a knife is nonchalantly thrown in his direction, in that moment he will just happen to have a canteen in his hand that will catch the knife and protect him. He can't die until the temporal anomaly allows him to. However, this probability distortion around him may adversely affect others who are not so temporally charged. So whenever he pushes his luck, it can cause bad things to happen to those closest to him.

We've seen that Hurley is uncharacteristically lucky when it comes to games and sports. He beat Sawyer at table tennis. He never missed a shot when playing basketball with Jack. However, he lost to Walt repeatedly when playing backgammon. This might be because Walt is even more temporally charged and probability ridden than Hurley. Walt is also strangely enough able to confuse birds into flying towards him, usually when he's upset. I can't see how this would be a temporal distortion. It sounds more like gravometric or electromagnetic. Walt may cause birds to think he is whatever direction they were flying if they get to close to him, like a compass going wonky. They might mistake him for true north.

We witnessed Michael Dawson repeatedly try to kill himself after leaving the Island, but he was unable. This is because he was destined to return to the Island. Or at least that's what Tom told him in the episode Meet Kevin Johnson (s4e08). We see him try but he fails. A gun misfires. A car crash leaves him relatively unscathed. Like Hurley, he seems to aquire a probability field around him that protects him from harm. This could be because he was destined to be on that frieghter when it blew. It could also be because his destiny isn't over yet.

Desmond was in the Hatch in the episode Live Together Die Alone (s2e23) when Locke stopped him from pushing the button. Desmond responds by activating a fail-safe key which is meant to save the world if the recitation of the numbers and the pushing of the execute button were ever to fail. After Desmond triggered the fail-safe, the sky around the island lit up purple, the hatch imploded, and Charlie, Eko, and Locke managed to escape relatively unscathed. I think Charlie's ears were bleeding and he was temporarily deafened by the blast. Desmond kinda disappeared.

In Further Instructions (s3e03) Hurley encounters Desmond in the jungle, completely naked and a little disoriented. It's only a day later, but Desmond begins behaving in ways that indicate he has aquired the ability to see glimpses of the future. Sometimes he senses these future glimpses as if they were recent memory. Sometimes they come to him in dreams. Sometimes they appear as flashes of inspiration and knowledge: images and sounds that are brief and out of order and difficult for him to interpret. It's as if he was recently exposed to the entirety of his future, but can only now see bits and pieces, because that's all his three-dee mind can comprehend.

Eventually these visions seem to settle on the fate of one person: Charlie Pace. Desmond is able to predict his death, so he acts to thwart it. However, this only seems to give Charlie a temporary reprieve, as another flash tells Desmond again how Charlie's going to die. Through this ability, Desmond is able to help Charlie die a heroic death of choice, that potentially saves everyone on the Island, or at the very least gives them a fighting chance.

Locke & Eko were both exposed to the smoke monster, as was Juliet. The smoke monster appears to show its intended victim something akin to their life flashing before their eyes. It studies the life this individual has led and then it seems to pass judgment. That may not be what actually is happening, but it seems to either let one live with a set of instructions, or just kills them outright as it did with Eko when he refused to comply. We know Locke was exposed to it but we're not quite clear on what was said. We know Juliet was exposed to it briefly, but she was able to use the sonic fence to ward it off. Ben encountered the smoke monster in season five, but that did not seem to be his first experience with it. In fact Ben had reason to believe he could summon the thing. He successfully used it to kill Keamy's men in season four (Shape of Things To Come s4e09), but was unable to use it in season 5 episode 12 (Dead is Dead). How the smoke monster works is still largely a mystery, but I have reason to believe that it too is a remnant or byproduct of temporal physics.

Damon Lindelof and Carlton Cuse have freely admitted that the time travel stories are over. Season five was riddled with time hops and yet they say there will be no more. It was necessary for the plot but that it's over. However, they did not say that temporal physics in general would no longer play a part in the events of season six. I speculate that we'll learn in season six that most if not all of the major players in Lost are lost predominantly because Jacob, Blackie, and perhaps others are agents of a fourth dimension who use three dimensional linear entities as their toys. Just as we use squares and cubes to build the world around us, so too do these fourth dimensional entities use tesseracts to accomplish tasks and achieve goals. We may never fully understand what they want beyond Blackie's desire to kill Jacob, but our major characters in the Lost mythology are experiencing the side effects of being touched or 'tainted' by fourth dimensional nonlinear beings. I believe when touched by Jacob or Blackie or other fourth dimensional nonlinear beings, the entire linear timeline of a third dimensional linear being is adversely affected, causing a myriad number of strange symptoms. Since a third dimensional linear being is not supposed to know its future or comprehend that of others, being so affected by a fourth dimensional being is like a sickness. It may happen in a character's future, or it may have happened in their past, but once done, it adversely affects the probability and awareness of the individual, to the point where it could bring about insanity, alterations in personality, strange occurrences of probability variation or brief insights of future events or past clarity.

Our Losties are sick. Temporally sick. Their linear lifelines have been diseased. This could cause friends to turn on one another as enemies, or complete strangers to suddenly know one another as if they were friends. It can turn brother against brother and make strange bedfellows. Each from their limited perception, they will believe they are behaving completely rationally and coherently, but those around them will appear to have gone insane and even bloodthirsty, causing them to respond in kind. If I'm right, the final season will set the stage for a final battle where people we've seen very close may come to blows, and people once believed to be enemies will band together out of desperation for survival.

It's gonna be fun. It's gonna be exciting. However, Danielle Rousseau was right. It's also gonna be sick.

Wednesday, July 8, 2009

Dollhouse By Any Other Name

Recently over at Whedonesque, it was reported that Joss Whedon himself will be writing and directing the first episode of the second season of his provacative and controversial television series "Dollhouse" starring Eliza Dushku and a whole bunch of beautiful talented people. Simon encouraged people to come up with possible episode titles for the first episode in the second season. I was going to answer that question over there, but I tend to ramble. What follows is what I was originally going to leave there at Whedonesque. Instead, I opted to just leave a one word response, then move the rest over here.

Joss Whedon's done pretty well so far with title names. Ghost, Man On The Street, and Epitaph One are titles borne out of the stories themselves. "Ghost" sounds like a corny title in and of itself, but when you watch the episode in question, it makes perfect sense. There's another episode later in the season that Whedon didn't title which is called "Haunted." Essentially this is what Dollhouse does to Echo and the other Actives: put the minds of dead people into her brain and let them think for her.

In fact, this is an ongoing theme of the series. The living is being haunted by ghosts in Topher's machines: dead minds are stored and then placed later in the brains of actives for the Dollhouse's own selfish (or occasionally philanthropic) purposes. If I were to suggest a title name to Whedon, and if I really wanted to challenge him, I'd ask him to write an episode called "Soul" and to please go where the name suggests. He'd probably chicken out and do an episode that involved blues music. The thing is, I'm a deist and he's an atheist. I'd like to see him address the issue of whether or not Echo/Caroline actually has a soul. I'm not talking about gods here. I'm just talking about the concept of a soul. I don't think Joss thinks she does, but I think Caroline thinks she does, and I think she has more evidence, given what he and other writers have put Echo through, to support Caroline's opinion.

Everything Caroline is, everything she's ever known and felt, is theoretically digitized and saved on that little hard drive box that Alpha threatened to destroy, and that Echo & Ballard saved from certain destruction. Yet Echo watched Caroline, in the body of that waitress, die.

All the people that have been in Echo are still in her. Topher wipes her brain every time, but the mind is a curiously delicate yet resilient thing. If Topher's wiping the brain like a chalkboard with every visit to The Chair, then where is the mind protecting the information? It's making a backup, and where else could that backup be but the soul?

Topher's not really wiping brains. He can only disconnect previously stored information from the high end brain to the standard functions of the body. So Caroline has always been in Echo in a state of dormancy. All the people she's ever been are in there. It's just that Topher has a way to make the conscious mind forget where that information is.

Like when you forget where you put your car keys and you try to remember where but you can't. You must know. You were there when you put the keys down. You had them. Nobody else took them from you. You were there when it happened, but your conscious mind has nothing to use to access that information from your brain. Like maybe a mnemonic device or a note you left for yourself, but even if you try to retrace your steps and go back to the moment you last had them in your hand, you still can't access the memory, because something was distracting you at the second you put the keys down. Then you finally find them and maybe you then remember why you put them there, but maybe you still don't. You just shrug and go on with your day but in the back of your mind something is nagging at you. You honestly don't remember putting them there, but you must have, and that memory must still be in your head somewhere. You just can't remember where.

I think, when Topher thinks he's wiping all memories from a human brain, all he's really doing is dislodging that information from immediate access. The conscious mind forgets who or what it is, and then Topher can fill that emptiness with more information, but it's all stored elsewhere. Topher doesn't actually erase it. He just makes an Active forget where in the brain that information is available for retrieval. The brain's got a finite space, but something not currently understood by science that is ethereal might be where that information is really stored. Some place that Topher's machines can't wipe.

So if I were going to suggest a show title to Joss Whedon, I'd suggest "Soul." I doubt he'd write it tho. Who would want to tune in to see that? It's too ...cerebral.

Monday, July 6, 2009

Lost's Zombie Season Is Now, Part Three

In previous installments of what is rapidly turning into a series of posts, I have elaborated on my theory that the Zombie Season joke of Damon Lindelof and Carlton Cuse might actually have been a tongue in cheek clue as to the direction the ABC TV series LOST has been going. We know some characters have had brushes with death. We know some characters have actually died and yet are still walking around. However, I'm not sure if anyone has ever taken a running tally. What follows is an attempt to look at all major characters and significant other characters to see if we can determine who is still alive, and who only appears to be alive and is in fact probably undead.

Now for this to make any sense I have to assume that if a character had a brush with death, but we're not certain that they died, I have to put them in a kinda limbo maybe column. If we saw a character literally die, and then come back, I have to put them in the undead column. If there's no evidence of either then they are in the live column but keep in mind, we haven't seen every moment of every day of the lives of these characters. Just because I can't recall a time when Jack or Kate died, doesn't mean they didn't. It just means the writers/producers haven't showed it to us yet. Also, this is based on what we know currently, and can change at the drop of a hat after season six begins again. In all cases, if I say someone's alive, that's only because we don't know any better. Illumination of events pertaining to someone's past could change that.

So let's play ALIVE OR DEAD OR UNDEAD OR WHO KNOWS?

Jack "Doc" Shepherd - ALIVE (maybe)
When Oceanic 815 crashed, Jack blacked out and woke up in the jungle, a long distance away from the crash site. He fell out of the plane as the fuselage and a wing ended up near the shoreline. It's not incredibly likely, but it is possible that Jack died in that instant, and some unknown force artificially revived him. The same can be said for many if not all inhabitants of Oceanic 815, but particularly Jack. The writers purposefully had him far from the actual crash site. The writers also purposefully had Jack materialize on the Island away from Hurley & Kate when they appeared in the past after disappearing off Ajira 316. For now we have to put him in the Alive column, but the writers have given themselves room to later claim he's been (un)dead all this time.

Kate Austen - ALIVE
There has been no instance throughout the course of the series where the writers have purposefully shown us Kate dead and artificially brought back. This is not to say it hasn't happened. It's possible this has happened to all Oceanic 815 survivors, and we just haven't seen it yet.

John "Sawyer" Ford - ALIVE
Sawyer has led a dangerous life, and has made many enemies. It's very possible he's had a brush with death and the writers never showed it to us. However, based on what we've seen thus far, he's fit as a fiddle.

Hugo "Hurley" Reyes - WHO KNOWS? (undead)
Several times there has been a mention of an accident that happened to Hurley after his father disappeared and before he went to the Santa Rosa Mental Health Institute. A deck that was built to hold eight people fell when twenty-three people, including himself, were on it at the same time. Two people died. It's believed that he survived this unscathed, but felt depressed afterwards and insisted that the incident was his fault. Because of that, his mother had him committed. While in the facility, Hurley began to see someone named Dave who later turned out to be an imaginary friend. His doctor prescribed Clonazepam and also proved to Hurley that Dave was not real. After the crash, Hurley started seeing Dave again. Upon his return from the Island, Hurley began having interactions with friends he knew to be dead. Either he didn't die on that deck, and he's very much alive but crazy, or he died on that deck was artificially revived and can talk to the dead because he himself is undead. It should also be noted that Hurley has a surprisingly strange case of luck that has kept him alive multiple times when he should be dead. Some would attribute this to The Numbers that he used to win the lottery. It's also possible that he is a temporal anomaly and cannot die until some event in his future has been accomplished, probably on the Island.

John Locke - DEAD (kinda)
His corpse has been shown to us at the end of season five. However, it's possible that corpse is an elaborate fake. There are multiple peripheral characters (Widmore, Linus, Jacob, etc) who have the resources. It's just not very likely. There is a humanoid posing as John Locke but the final moments of the season five finale pretty much cemented the idea that UnLocke is not Locke, but rather a manifestation of Jacob's dark nemesis (Esau/Blackie). However, Locke's been undead before. We've witnessed John Locke fall out of a seven story window. Jacob visited him in that instant, and revived him artificially. From that moment onward, John Locke was definitively undead. He seemed to retain his own mental and spiritual faculties, but looks could be deceiving. His legs didn't work until he got on The Island. Once there, he began acting strangely and could walk again. It's possible that Locke has existed throughout the series as an undead pawn in the game between Jacob and Blackie. How much he's been himself and how much he's been manipulated is open for debate. At one point, Ben shot Locke in the gut and left him for dead, but he managed to survive that gunshot wound, presumably because Ben shot him in the kidney area and John no longer had a kidney because he donated it to his father years before. To the best of our knowledge, from the point when Ben strangled John in the hotel room off Island, to the end of Season five inside the statue, John has been dead dead, and Blackie has been impersonating Locke (aka UnLocke). The thing is, if John Locke could be artificially revived by Jacob before, what's to stop that from happening again?

Sayid Jarrah - ALIVE
Again, we've seen no near death experiences (NDE) and have no reason to believe he's dead or undead. That could change, and being an Oceanic815 survivor, he may have died then only to be revived by "The Island." Keep in mind that at the end of Season Five, Sayid wasn't looking so good. He'd been shot, had lost a lot of blood, and Jack didn't have the necessary time or resources to do anything for him. It's possible that Sayid could die in the season premiere, and then be artificially revived by The Island or whatever.

Jin-Soo Kwon - ALIVE
Again, we've seen no near death experiences (NDE) and have no reason to believe he's dead or undead. That could change, and being an Oceanic815 survivor, he may have died then only to be revived by "The Island."

Sun-Hwa Kwon - ALIVE
Again, we've seen no near death experiences (NDE) and have no reason to believe she's dead or undead. That could change, and being an Oceanic815 survivor, she may have died then only to be revived by "The Island."

Charlie Pace - DEAD (possibly UnDead)
Okay here it gets a little tricky. First off, he was a user. The writers could add to the mythology of the series that Charlie had a NDE years before Oceanic815. Failing that, and ignoring the face Charlie could have died and been artificially revived during the plane crash, we also witnessed (All The Best Cowboys Have Daddy Issues) Ethan hang Charlie from a tree, which should have broken his neck. Jack tried for several minutes to revive Charlie with no success. Then Charlie started breathing again. It's presumed because of Jack's efforts, but it may have easily been despite them. Charlie was also in the Swan station when it blew. Locke, Charlie, Desmond, and Eko all survived an explosion relatively unscathed. Charlie seemed to have lost his hearing for a bit but it was temporary. We did not witness the actual explosion. We saw Desmond was naked when he came back, but Locke, Charlie and Eko were fully clothed. It's possible that Charlie didn't die in this instance because, like Locke and perhaps like Eko, he's already dead and being artificially kept alive. After the Swan explosion, Desmond began experiencing flashes of premonitions that mostly involved Charlie dying. He endeavored to save Charlie multiple times from these deaths. Finally they both realized that they were only postponing the inevitable. Charlie was destined to die soon, and he chose to die in the Looking Glass station, in order to save Desmond. We witnessed Charlie drown after Patchy blew up the porthole to the station. It is possible that if Charlie was already undead, having a body filled with water is only a temporary state of being unconscious. If Patchy already knew this, it is not out of the question to believe that after Desmond vacated the station, Patchy could have returned, fetched out Charlie's body, then dragged him back on shore to revive him. If Charlie's undead, he could still be very much alive. So all those rumors and speculation about Dominic Monaghan being in the final season? Not completely outside the realm of possibility.

Claire Littleton - WHO KNOWS?
This could explain why the last time we saw Claire she was in a good mood, despite the fact she had seemingly purposefully left her only son behind to be in Kate's care. If she knew Charlie was still alive, she might have a smile on her face. Claire disappeared late in season four and hasn't been seen since. We saw no indications that she had NDEs prior to becoming pregnant, and it's hard to believe that someone artificially kept alive would be able to give birth. In fact, that might explain why Ben Linus' people were having difficulty keeping a baby to term. Perhaps if a woman had been on the Island during the Purge, she was dead but revived by Jacob or The Island or whatever, and therefore an undead woman's womb would be unsuitable for a proper pregnancy. Claire didn't have that problem, having conceived before arriving on the Island. So we're pretty certain she was very much alive at least until she delivered Aaron. The last time we saw her she was hanging with her dad Christian Shepherd, who is decidedly UnDead. So her current state could be alive, dead, or undead. Presumably we will see Claire in some capacity in season six because the actress has already been brought back on the payroll.

Benjamin Linus - ALIVE
As a child, Linus was shot by Sayid and taken to The Temple. Richard made it very clear that if Ben was revived by The Temple, he's never be normal again. He'd be one of The Hostiles. I want to believe that this makes him UnDead. However, the same thing essentially happened to Rousseau's crew, and she was able to irrevocably kill them. So that puts a hole in my theory that Ben is among the UnDead. Also, as an adult he was dying of cancer and Jack cured him of that. Hard to believe someone artificially alive would be given cancer by the Island. Not completely out of the question but a little difficult to make an audience swallow.

Juliet Burke - WHO KNOWS?
We have been given no indication that during her past prior to The Island Juliet had any NDEs. We witnessed her husband get run over by a bus, and her infertile sister was dying of cancer, but that's as close as Juliet came to death. Once on the Island, Juliet again seemed to be spared death herself, tho it has seemed to have befallen all the other Others she used to call friends. At the very end of season five, Juliet fell into a hole which seemed to have mortally wounded her. Believing a bomb could reset time, she picked up a rock and began banging on it because it had not yet gone off. Some believe this caused the bomb to go off, which may have killed her or it may have reset time. Others believe the bomb did not go off as it was never meant to (Sayid purposefully made a dud because he thinks Jack is insane) and Juliet has been transported into the present time. In any case, if she doesn't get medical care soon she's going to die. Since the actress has recently gotten a lucrative job on a tv series called V, it's doubtful she's going to be a prominent member of the cast in Lost's final season.

Desmond Hume - Alive (possibly undead)
It appears from a writing standpoint that this character has purposefully been written out of the narrative, and if they never revisit Desmond I would completely not mind. I like where they left him. Sure he's in the hospital but it was a superficial wound. He'll be fine. He'll be with his wife and kid and live happily ever after. I want that to be the case. I'm more of a Penny/Desmond shipper than I am a Kate and Jack or Kate and Sawyer shipper. It wouldn't matter so much to me what happened to the rest of the characters in the story, so long as Desmond & Penny come out of all this unscathed. However, I fear that's not going to be the case. Mrs. Hawking told Desmond that the Island wasn't through with him. When I look at the story between Charlie and Desmond I strongly feel that Desmond either purposefully or accidentally traded Charlie's life for his own. That in some previous timeline which is now gone, Desmond died in the Looking Glass station. However, his time flashes allowed him to save Charlie's life multiple times, but only temporarily. So the two of them got to choose when Charlie died, and Charlie died saving Desmond. Had Charlie not been there, Desmond would never be with Penny. So he's been given a reprieve, but like all the characters in the show his fate is forever entangled with the Island. It will eventually call him back, and when he does go back again, the Island won't let him survive. Like Michael, he'll be fated to do something that will kill him, but at least in this storyline, he was able to have a son, and have some precious time with the woman he loves. The Island can now take his life, but it can't take away the happiness he shared with her. So in a way he wins no matter what now.

Miles Straume - Alive (possibly undead)
Like Hurley (strange luck), Desmond (time flashes), Michael (temporary invulnerability), and Locke (multiple abilities), Miles has a special ability. It seems to be specific to being near a dead body. He's able to read from a body's remains when and how it died. We don't know why, but I'm of the opinion that all of these abilities are somehow tied into the temporal anomaly that is the Island. I don't believe people are getting powers because the Island is sentient and is granting them. I believe that these abilities that some characters have are side effects of the temporal anomaly. Some event in the past or future of each of these characters affected the individual's entire existence. Not just in a three dimensional cause and effect manner. These people have been affected fourth dimensionally. Now, Carl Sagan gave an explanation of the Flatland metaphor that describes how a two dimensional sentient being might react if exposed to a three dimensional perspective after living a life in 2D and I feel that might be what's going on here. When a 3D being is exposed temporarily to a 4D reality, it's possible that exposure affects the 3D entity's entire existence, because the fourth dimension is essentially time. So if you were exposed to time in middle age, it could cause anomalies that would have manifested from your birth to your death in unexpected ways. So Miles may never have died and been reborn, but like the other characters I mentioned, I believe he's either been exposed or will be exposed to a temporal anomaly in a manner that causes him to have this ability.

Michael Dawson - Dead (possibly undead)
As I just explained, Michael's one of the characters who may have been exposed at some point to a temporal anomaly. Because of that, when he left the Island and failed to find a way back to his life, he repeatedly failed to kill himself, because he wasn't able to die until certain events transpired back near the Island. This could mean he was always meant to die on that frieghter, but time was altered when he managed to escape the Island. Ben let him go, perhaps knowing that fate would eventually force Michael back when it was time.

Walter Lloyd - Alive (off island probably not coming back)
Like Desmond, I'm satisfied that Walt managed to escape the Island with only mental scars. It could have been a lot worse for him. I would not mind if his story is left where it is. However, there's another part of me that would like some completeness to the story by somehow using the descendants of the Losties to come save them. We currently have Walt, Ji Yeon Kwon, and Aaron off the Island. Damon Lindelof & Carlton Cuse have said that time travel is done. So I guess it's out of the question that these three individuals would return to the Island after having grown twenty years or more. Still, I like the elegance of the idea. The children come to save their parents. We'll see.

Shannon Rutherford - Dead (could be brought back)
Boone Carlyle - Dead (could be brought back)
Ana Lucia Cortez - Dead (could be brought back)
Daniel Faraday - Dead (could be brought back)
Mister Ekko - Dead (could be brought back)
Libby - Dead (could be brought back)
Charlotte Lewis - Dead (could be brought back)
Nikki Fernandez - Dead (could be brought back)
Paulo - Dead (could be brought back)

Sunday, July 5, 2009

Is Lost's nemesis of Jacob really Esau?

Well this is mildly interesting. It's a link to a pdf file that talks about passages in the Bible referring to Jacob & Esau. It is not intended for Lost fans, necessarily. However, looking at this information in light of the end of season five of Lost is.. educational. Now, please understand I am not a zealous Christian who wants to use your interest in Lost to convert you to Christianity. Far from it. In fact in recent years I've been questioning my own belief in Christianity or Deism as a whole, but I digress. Rest assured my interest in this context is in understanding the permutations of Lost mythology. I have no interest in the destination of your soul, beyond my hope that you end up wherever you want to be.

I'm no bible scholar by any stretch of the imagination, but I was raised a southern Baptist so I know my way around the book even though I don't put as much stock in it as I did when I was seven. For purposes of Lost though, it's an interesting resource. I don't know the details to the religious proclivities of the masterminds behind Lost. I have read somewhere that J. J. Abrams is Jewish, but I could be wrong. I am relatively certain that the people behind Lost would agree with me that the events depicted in the Bible are still The Greatest Story Ever Told. Whether you personally find it to be fact or fiction or an interpretive combination of the two, it's hard to dismiss just how intricate and mind-blowing the story itself is.

In the above mentioned pdf file, and I'll try to summarize in case that link disappears by the time you see this, it talks about 1 Peter verses 3:15-16. You may notice that 315 was the number of the Ajira flight in season five of Lost, and that 15 & 16 are two of "the numbers" made famous in Lost season one. I am not blind to that coincidence, but I'm trying not to freak out over it. Since 2004 I have seen the numbers 4, 8, 15, 16, 23, and 42 pretty much everywhere.
Bear in mind that our Lord’s patience means salvation, just as our dear brother Paul also wrote you with the wisdom that God gave him. He writes the same way in all his letters, speaking in them of these matters. His letters contain some things that are hard to understand, which ignorant and unstable people distort, as they do the other Scriptures, to their own destruction
In as nice a way as he can, Peter is trying to tell readers that sometimes Paul says stuff that others will misinterpret. Does this sound like someone familliar in the tv series Lost? Peter also points out that unstable and ignorant people sometimes distort Paul's words. I accept that I can be defined in this context as unstable and ignorant. As I said before, I'm no bible scholar. Also, I have a bit of a chip on my shoulder when it comes to Paul.

Personally, even when I was a diehard Bible thumping Jesus freak, I had difficulties with Paul. For example, he said nice things about the Roman empire and how you should give unto Caesar's that which is Caesar's and give unto God that which is God. Of course he wrote this while in a Roman prison, so I'd probably say that too. Paul also said very mean-spirited things about homosexuals, and while I personally don't understand why gay people do what they do, I certainly don't go around condemning them to hell. However, that's just what Paul did on multiple occasions. He condemned people a lot, for all sorts of things, and I don't think that was his job. I would go so far as to say the man was no saint, but I think the Roman Catholic Church disagrees with me on that score. Some modern day gay bashers are reinforced by what they see in Paul's letters. Because of Paul's words, some have taken it upon themselves to do horrible things to homosexuals, from just teasing to downright murder. So yeah, I'm a little "unstable" when it comes to Paul. That's a nice way of saying I'm very angry with him. How my (perhaps ex?) fellow Christians treat homosexuals (and others who disagree with them) can be led straight back to what Paul teaches. That is one of the things that has caused me to fall just short of denouncing Christianity. Jesus talked about doing unto others as you would have them do unto you, but many Christians put Paul's words ahead of Jesus'.

I digress. Please forgive me. As I said before, I have no interest in converting you to Christianity. Believe whatever works for you.

Recently I came across a Lost Poll at Dark UFO that asked the question: Should fans of ABCTV's Lost stop calling Jacob's nemesis "Esau"? My gut said to vote Yes on this one because there's no canonical corroboration for the name. It's a hypothetical guess based on Judeo-Christian dogma. In the bible there was Jacob and there was Esau. In the New Testament there's a passage written by Paul in Romans chapter nine where Paul writes that God loved Jacob but hated Esau. It's possible this is where Lost's writers got Jacob's name, and if that's the case then it only makes sense that his nemesis would be named Esau.

Again it should be pointed out that in 1 Peter verses 3:15-16, Peter warns us that some things Paul writes can be easily misinterpreted.

I didn't vote yes, because unlike Paul I don't think people should be told what they can and can't do, at least with regards to insignificant things like this. I do go around asking human beings to stop killing each other or destroying one another's property, but nobody listens to me anyway.

People should be allowed to call the guy whatever they want. I call him Blackie. Not cuz I assume he's the bad guy, but because at the beginning of the series Locke talked to Walt in reference to backgammon about how there's always two sides: one white and one black. The costumers purposefully draped Jacob in light colors, and the casting directors chose a fair haired and light skinned man to play Jacob. This other guy has dark hair and is dark garbed, so I just call him Blackie until we get a better name. Again, I don't assume this means he's the villain necessarily. I think both Jacob and Blackie are the bad guys. They're players in a game that uses human beings as chess pieces. I'm not rooting for either of them.

The thing is, the writers of Lost purposefully kept us in the dark as to the name of The Man In Black. Probably because they wanted people like me to write blog posts about it, and they wanted people like you to read them, then write blog posts of your own about what you think it all means.

But getting back to the Bible itself, "where" you might ask "does Paul actually talk about Jacob and Esau anyway?" I'm glad you asked that question. It's in Romans Chapter nine. In the beginning of the chapter, Paul describes how not all who are born in Israel can be considered the descendants of Abraham. In case you don't know, Abraham is a big muckety muck in Judeo-Christian mythology. He's a descendant of Noah, and then Adam before him. Back in the Old Testament, birthright was still a powerful thing. Presumably some bloodlines of nobility can be traced back to biblical characters. At one time this was very important to people, before peasants realized that blue blood ran red.

Verses six through thirteen of Romans chapter nine look something like this:
6 But it is not as though the word of God has failed. For not all who are descended from Israel belong to Israel,
7
and not all are children of Abraham because they are his offspring, but “Through Isaac shall your offspring be named.”
8
This means that it is not the children of the flesh who are the children of God, but the children of the promise are counted as offspring.
9
For this is what the promise said: “About this time next year I will return, and Sarah shall have a son.”
10 And not only so, but also when Rebekah had conceived children by one man, our forefather Isaac,
11
though they were not yet born and had done nothing either good or bad—in order that God's purpose of election might continue, not because of works but because of him who calls—
12
she was told, “The older will serve the younger.”
13
As it is written, “Jacob I loved, but Esau I hated.”
Now, where is Paul getting all this? The Old Testament. Keep in mind that when Paul was writing, Christianity wasn't really the worldwide firestorm religion that it is today. In fact, how we perceive Scientology today is pretty much how the Roman Empire felt about Christianity. They were whackos. Now, jews were people the romans could diplomatically bargain with, but Christians were rebellious upstarts who were still on fire with a burning need for power, because their martyr had recently been crucified, his disciples were being hunted down and incarcerated or otherwise crucified. If I remember correctly, Paul was in a roman prison when he wrote his letter to the Romans. So Christianity at the time of Paul's words was not widely accepted. It would be. A few centuries after Paul's death, Catholicism would overtake the Roman Empire and become what we now know today as The Roman Catholic Church. Roman emperors used to throw Christians to the lions - literally. For sport! Kinda makes you look at Scientology a little more wearily, doesn't it? I fear for humanity's future, if it ever starts taking "engrams" seriously.

Paul was going on what he knew in the Old Testament, which wasn't called the Old Testament back then cuz Paul was writing the New Testament and didn't even know that's what we were gonna call it. To Paul, the story of Abraham was still rather new and novel and exciting, because Paul used to be a roman guard. He converted to Christianity on the road to Damascus. He was one of the first Jesus Freaks. So to Paul, the story of Abraham was very much like how the story of Lost is to us now. Fascinating. New. Mentally challenging to try and understand. The primary difference is I don't think Damon Lindelof and Carlton Cuse expect us to bow before them and worship them like gods.

They probably wouldn't mind.. but I digress.

The story of Abraham takes up the bulk of the latter half of the Book of Genesis. I skipped that part as a kid cuz it got boring really fast after the flood, and the story about the old man threatening to sacrifice his own son cuz God wouldn't give him a goat? That's a mildly disturbing story to try to grasp at the age of seven.

Abraham had a lot of kids. Issac is essentially the father of the Hebrews. Ishmael is the father of Arabised Arabs. This is where Islam & Judaism part ways in the Old Testament, but essentially they're arguing over the same god. Ever hear of The Smothers Brothers? They always used to fuss over which son their mother liked best. That's pretty much how I see Issac & Ishmael. Issac was the son of Abraham and Sarah. Ishmael had a different mother, so Isaac & Ishmael are actually more like step-brothers. Christianity also seems to consider Ishmael a bastard child, but Islam begs to differ. It gets really catty from here on out between those two religions so let's just ignore that part.

Isaac was also the father of both Jacob and Esau. See where I'm going with this? Both Islam and Judaism talk about Issac as a great servant of God and the Father of the Israelites. Jacob was such a nice guy, muslims have nothing nasty to say about him in the Quran. His descendants tho are either ignored or ridiculed. Mostly ignored. Christianity seems to take the Jacob/Esau thing more seriously. Jacob and Esau were fraternal twins (not identical), born of Isaac and Rebecca. Jacob is also known as Israel, and is the father of the twelve tribes of Israel. Jacob made something of himself. Esau was by contrast, an asshole.

When I say Jacob was also known as Israel, I mean Jacob was renamed Israel by an angel that descended from heaven with a big wand and went 'twang' on Jacob's head. So Jacob was named Israel which meant at the time "struggler with God" which is another way of saying "Superman's Pal."

Esau means "hairy" in hebrew. He's also sometimes called "Edon" which means "red." He was all red and hairy when they pulled him out of the womb, and the name stuck. Esau got the short end of the stick for pretty much his entire life. He'd never read the book "How To Win Friends and Influence People" and it sounds like he was an ugly curr so I doubt the book woulda done him any good. Esau's the bad apple. He's the "evil twin" and not even God liked him very much.

But this is where the story of Esau and Jacob breaks down for me. Jacob is the favored son. Esau was the black sheep. When the two were grown up, Esau was down on his luck and fell on hard times. He begged his brother Jacob for some red lentil stew cuz he was starving. Jacob gave him food in return for his birthright. Now, let's look at this carefully. Jacob, the good guy, only offered to save his brother's life from starvation IF his brother would denounce his rightful heir to the throne of Isaac. He tricked his brother out of being the father of Israel.

Now one can argue that Jacob was doing what was right for his father's people - for his own people. Because you take one look at Esau and even thoughhe's the first born you can't imagine this creepazoid leading the Israelites into a prosperous future. However, Judeo-Christianity is founded on two brothers who are treating each other worse than Bart and Lisa Simpson ever did.

Jacob's supposed to be the good guy. Esau is supposed to be the bad guy. Frankly, I can't tell the difference. Can you? The good guy woulda fed his brother, and figured out what was wrong with his brother so he could help him be a better person.That's if you're a good guy. Jacob's not a good guy. He's human just like everybody else. He makes mistakes. He's jealous that his brother can be all ugly and stupid and still claim rightful heir to the throne, so he starves his own brother and tricks him into giving up his own birthright. Now Esau is homeless, penniless, has no future prospects, and can't even really call Jacob his brother. Jacob gets everything. Esau gets nothing. Jacob is remembered for being the father of a nation. Esau is remembered for being red and hairy and stupid.

So IF Blackie is Esau, one could understand why he'd look at Jacob and ask him, "do you know how much I want to kill you?" Who wouldn't? Jacob's as much of an asshole as Esau. However, this is all speculation. There's no conclusive proof in the Lost television show that the final season is going to boil down to two jewish brothers arguing over who deserves the best bahmitzvah. If it does, I may find myself switching the channel, because quite frankly I've had my fill of Judeo-Christian mythology for one lifetime.